On the heels of a contentious week or so of debate over whether or not superhero comics are for girls, Johanna Draper Carlson attempts to shift the tone of the discussion, pointing out a post by Comic Fodder’s “Ryan”, who asks the age old question: “What Do Women Want in Superhero Comics?
(Assuming that things like Power Girl’s breasts as depicted by Michael Turner are an obvious problem, and that the publishers don’t plan to repeat the infamous scenes from Identity Crisis…)
WHAT DO WOMEN WANT IN SUPERHERO COMICS ? What would draw you in? What would have to happen in Superman, Batman, Wolverine, Wonder Woman, Ms. Marvel or any of the cape and tights comics to make you consider giving those comics a second glance? What sort of stories would interest you? How could the characters be handled in a manner which doesn’t make you simply roll your eyes?
What’s working for you now? What can you cite as an example? What can the publishers do more of?
Or is that not a good question?
One could argue that it’s not a good question simply because “women” — like “the black vote” and “teenage girls” — are not some monolothic entity that can be categorized and bullet-pointed into a ready-to-serve demographic. For every Hilary Clinton, there’s an Anne Coulter and Nancy Pelosi on either side of her, with a Barbara Bush and Audre Lorde on either side of them. Want to pick the perfect comic book for that quintet?
(I’d give them Bumperboy, personally, because everybody loves Bumperboy! Except maybe Coulter. She’s evil. Dammit!)
My wife, an avid book reader, loved Batman Begins, The Incredibles and Unbreakable, and has enjoyed a variety of hand-selected comics — including Persepolis, Bumperboy and Fade From Grace — but wouldn’t touch a traditional superhero comic with a 10-foot pole, as much because of the art as the genre itself. Same goes for manga, BTW, doubly so. She loved 300 the movie, but wasn’t thrilled with the graphic novel (which she read first), partly because of the art, and partly because she preferred Steven Pressfield’s far superior historical fiction, Gates of Fire: An Epic Novel of the Battle of Thermopylae.
Comics, never mind superhero comics, simply aren’t her thing. And she’s a very visual person, much moreso than I am, so please don’t offer that tired line.
The reality is that it’s not so much that WOMEN don’t find superhero comics worth reading, it’s that MOST PEOPLE don’t find superhero comics worth reading. Looking at the amount of low-rated dreck that’s aired on Lifetime, Spike, BET, MTV, et al, I’d say specifically targeting women (or any other demographic) is the wrong way to go for superhero comics, at least in the context of this discussion.
Whether for man, woman or child, I’d say that telling engaging stories from a variety of viewpoints is the all-important first step.
There are, to be frank, simply too many white boys who grew up reading superhero comics writing them today, and as a result, there’s a certain cultural and social myopia that pervades the core Marvel and DC universes, limiting their appeal to a broader audience. Not because the characters wear improbable costumes while punching each other in the face — when they’re not sitting around talking and crying over the state of affairs in their respective worlds, that is — but because they’re a bunch of powerful white men with a smattering of token others, and there’s more than enough of that in the real world; who wants to see it in their escapist entertainment?
After diversifying their roster of creators, the next step would be “casting” their stories with a diverse group of characters; diverse not just in gender, but in race, sexuality, politics and — perhaps the most overlooked aspect — diverse in personality. Too many comic book superheroes are interchangeable, sharing a handful of motivations and personality quirks. It is arguably the primary reason Marvel typically outsells DC, because they have more characters who are relatable to a wider range of people than DC’s predominantly white male, god-like icons. And, to be honest, they have a slightly more diverse group of creators.
So, what do women want in superhero comics?
Hell if I know, since I’m not a woman, but if I were, I certainly wouldn’t deign to speak for them all. Generally speaking, though, I’d hazard a guess that it’s the same thing anybody else wants: a good story, well-told and illustrated, that engages their imagination while not insulting their intelligence. If I were publisher attempting to expand my audience beyond the current micro-niche that reads superhero comics, that’d be my game plan.