If I’ve only got one night to live, and all I want to do is be with one chick? She better be a tatted up Suicide Girl who wants to do some highly illegal shit! And have pre-dawn breakfast at IHOP before we bite it!

But KDrew wants to run around New York City with some chick, trying to escape someone we never see. You couldn’t just confront the motherfucker, and take him on Scott Pilgrim style?

After eight seasons Fox Network and House series creators agree that the time has come to end the show.

The fate of House was up in the air last season, as Fox and NBC Universal wrangled over a new license fee agreement in talks that went down to the wire close to the upfront last May. Following shake ups with casting and plot turns surrounding characters gone from the cast, the show managed to pull off an eighth season. House exec producers David Shore and Katie Jacobs and Hugh Laurie decided, with the network’s blessing, to bring the curtain down on their own terms.

In a statement, Shore, Jacobs and Laurie expressed that they “have always imagined House as an enigmatic creature; he should never be the last one to leave the party. How much better to disappear before the music stops, while there is still some promise and mystique in the air.”

In the statement, Shore, Jacobs and Laurie noted that the 177 episodes the show will have amassed by the end of its run “is about 175 more than anyone expected back in 2004.”

The show is currently planned to finish out its full contract for the current season. As the show wraps up, we’ll be back with a top moments of House retrospective.

Admit it. You watch the Big Game as much for the commercials as you do the game itself.

How can you not? There’s just as much hype on Super Bowl ads and commercials (over the past 15 years at least) as there is hype on the two franchises hitting the gridiron. This year’s Super Bowl XLVI had it’s serious host of quirky, inspiring and downright hilarious TV spots and we’re showcasing the best of the best (along with a few of the worst) out here.

The Top 8

#1 – M&M’S “Just My Shell”

Ms. Brown finally makes her big debut in this commercial and when onlookers think that she’s at a party naked, immaturity and hilarity ensues…

#2 – The Dog Strikes Back: 2012 Volkswagen

Commercials dealing with animals pulling off endearing stunts are almost always golden. This commercial not only tugs the heartstrings and has a serious payoff but it also gives Star Wars fanboys something to stand up and nerd it out to.

#3 — Pepsi – King’s Court

Sir Elton John and The X Factor winner, Melanie Amaro, face off in an epic, medieval music showdown. Proving once again, “Where There’s Pepsi, There’s Music.” While this spot is a sure fire way to show off the talent of the X Factor winner, the payoff comes at the end with the surprise appearance from Public Enemy’s Flavor Flav!

#4 — The Voice – Vocal Kombat

A heavenly voice starts belting out a few bars in a hotel shower prompting Christina Aguilera, Blake Shelton, Adam Levine and Cee-Lo Green to tear up the hotel squaring off Kill Bill style to bag themselves the next Voice.

#5 — Toyota Camry – It’s Reinvented

Car commercials had a glorious run during this year’s Big Game and Toyota made no exception with this ingenious TV spot. Toyota reinvents more than the Camry in this extended version of the blockbuster commercial that started it all.

#6 — Dannon Oikos Greek Yogurt – “The Tease”

When women play rough, it’s a sight to behold. See what happens when John Stamos comes between a woman and her Oikos.

#7 — Bud Light – “Here We Go” [Rescue Dog]

Budweiser introduces us to Weego, the charming little companion with one of the best skills a man could want in man’s best friend. Budweiser proudly brings this commercial to us with a message to support animal rescues so unfortunate pets can get a home and a second chance.

#8 — FIAT 500 Abarth – Seduction

Tapping into the two things that motivate almost any man, cars and sex, Fiat introduces the Fiat 500 Abarth with the reminder that you’ll never forget the first time you see one.

Honorable Mentions

2012 Honda CR-V Game Day Commercial – “Matthew’s Day Off” Extended Version

It’s pure nostalgia in Honda’s ad for the 2012 CR-V. To celebrate the launch of the all-new 2012 CR-V, Honda brought Ferris Bueller’s Day Off back in a big game commercial. Casting Matthew Broderick as himself, the movie star is seen skipping out on a day of acting work and living it up in his all-new CR-V. Relive movie history with Honda’s fresh twist and wonderful homage to this ’80s classic.

[Think you're a true fan of Ferris Bueller's Day Off? We hid over two dozen references to the movie throughout the commercial. Some are obvious, some are VERY subtle. See how many you can find. #dayoff]

2012 Acura NSX – “Transactions” Extended Version

Jerry Seinfeld is so excited about the new Acura NSX that he will stop at nothing to acquire the very first one. Check out the extended version of Acura’s big game commercial. See what else Jerry would do for the first new NSX at www.acura.com. The NSX is projected to debut in coming years.

The Worst Commercial of Super Bowl XLVI?

There were a few duds during the game, but a lot of people across Twitter worldwide agree that Samsung’s promo for the new Galaxy Note was both extravagant and more than a little perplexing. The lavish commercial makes fun at Apple (without actually naming names or pointing fingers) by having customers personified as bored hipsters waiting for the next update to their current phones. Once someone spots Samsung’s newest baby, a phone/tablet device using a stylus as being the next technological innovation (?), the commercial goes an entirely different direction.

The commercial itself wasn’t bad, but the promotion of a smartphone which is showcasing features that are 5 generations past pretty much cinched Samsung into the corner of worst effort. They spent $5M in advertising for a glorified PDA?

Did your favorite commercial make our cut? Post comments saying which ones you really loved and hated. See you next season!

Sam (Jared Padalecki) and Dean (Jensen Ackles) investigate a case where the victims’ hands and feet have been severed and each have been branded with a strange symbol. While Sam does some research at a local university, Dean heads to one of his favorite places to investigate – the town bar. Dean strikes up a conversation with a local named Lydia (Sara Canning), and the two go back to her place. Sam discovers the symbol on the bodies is a sign of Amazon warriors.

Original Air Date: 3 February 2012 — Directed by Jerry Wanek and Written by Eugenie Ross-Leming & Brad Buckner.

Coming back off of another break, Supernatural brings us a tale that’s sure to remind everybody that everything has consequences — the major subject being Dean getting a woman pregnant. Very sensitive issues are brought back up and there’s a bit of a supernatural mystery going on that doesn’t have anything to do with Amazons.

With the leads on Dick Roman going nowhere, Sam and Dean follow a case where men are being murdered gruesomely and having a strange symbol carved into their chests. Sam notices Dean drinking from Bobby’s flask and after shuffling around with excuses for why he has it, Dean misdirects his brother’s accusations by talking about the absurdity of the case they’re following.

When Dean met Lydia

While examining the latest victim, the boys get a vibe that this is possibly their type of case by way of the evidence. Tthe medical examiner tells them that one victim managed to get a piece of the perp during the struggle but analysis came back negative noting nothing human in the DNA.

Dean ditches out on research by hitting the bar where he meets the very attractive Lydia. Talking it up over drinks Dean tells Lydia about his job (as an investment banker with a sufficient fortune) pouring on the charm while Lydia talks about a past of horrible dates and no need to rush settling down which immediately gets Dean’s attention. Sizing him up as a decent enough catch for a one-nighter, Lydia takes Dean home.

A new victim pops up the next morning and while the brothers investigate the crime scene they meet Charlene Penn (Kendall Cross) the leading detective on the case. The Winchesters realize they need an expert to figure this stuff out and Dean grimly muses that their expert (Bobby) is dead. After leaving the crime scene, Dean realizes Bobby’s flask is missing possibly still over at Lydia’s.

As he phones her, Sam starts in with the jokes about how Dean actually got a number from a conquest. Dismissing it as usual, Dean catches up with Lydia who is being super elusive with him and obviously lying about the flask. After hanging up the phone with Dean the camera pulls back and we get the exact reason why Lydia was rushing Dean off the phone…

The Expert(s)?

The boys meet up with Professor Morrison (Harry Groener), an anthropology professor who seems not too interested in their case and a little too quirky. After laying out an interesting bribe for the two FBI agents he thinks he’s dealing with, Morrison reluctantly decides to take on the work leaving Sam and Dean to ponder if he really is going to be any good to them. Arguing about why they’re using him in the first place,  it’s obvious that if Bobby was still alive, they’d be consulting him instead of anyone that appears to be certified on mythology.

Dean heads back to Lydia’s to recover Bobby’s flask. While there Dean meet’s Emma, the reason why Lydia has been so busy. Mistaking Emma for a babysitting gig, Dean finds out she’s Lydia’s little girl whom he was sure was in the picture the night before. Sam calls to check up and remind Dean that they’re meeting up with medical examiner Eddie and while Dean’s on the phone, he happens to catch crib sized Emma actually speaking and asking mommy “who the guy in the other room is” while Lydia tries to shush her and wait for Dean to leave. Dean’s Spidey-senses tingle big time and he hangs back, forcing Sam to meet up with the medical examiner on his own.

Sam gets no new leads from viewing the body but does discover that the last two victims had visited the Cobalt Room (where Dean and Lydia met). Both cases coincidentally happened to be at the bar within two nights of being murdered and there’s a 2-year pattern in different locations around the US. Detective Penn arrives and unceremoniously advises Sam that the case needs to be wrapped up quickly.

Contacting Dean, Sam tells him about the connection to the murders with the Cobalt Room and that Dean’s apparently dodged a bullet. While they talk, Dean is busy staking out Lydia’s place and watches as two women appear and meet up with Lydia. Dean can’t believe his eyes. The two women and Lydia return with Emma (who now looks like a grade schooler) and the two ladies take away to an old warehouse building where Dean follows them to.

The brothers meet back up with Professor Morrison and learn that the symbol left behind on all the bodies was the major clue. These women really are Amazons and that the men (Dean included) were apparently victims in a birthing/coming of age ritual.

The weird and strange keep coming for the boys. The Amazons procreate and the maturity cycle from fetus to adult is within a matter of days. Emma is Dean’s daughter (making Sam an unwitting uncle). Detective Penn is also a member of the Amazonian cult and has made both of the Winchesters as hunters — though they don’t know that part.

Scouring Bobby’s books and journals for more research, the one key piece of research they can use is blown across the table into Dean’s line of sight. The paper contains text written in Greek that neither of them can translate on their own and Dean immediately senses something is up and it wreaks of Bobby. Sam is quick to dismiss that there’s no way Bobby could be behind the revelation given that they burned his remains. Arguing that Dean is still emotionally compromised, Sam takes the paper to Professor Morrison and orders Dean to stay put because they know someone is on the way to kill him.

Keeping it in The Family

As Sam heads to the university, Dean gets a visit from Emma (Alexia Fast) who has come of age. Father and daughter talk about options and choices with Emma saying she’s torn between her heritage and how she wants to just live her own life.

Sam and the professor go over Bobby’s note discovering that the offspring of an Amazon and the male always satisfies the birthright by killing her own father. Realizes that Dean is in a lot more trouble than either of them imagined, Sam hurries back to get to his brother but is intercepted by Detective Penn. Penn catches him by surprise, hurling him across the hallway which smashes his phone and prevents Sam from calling his brother with the warning. Before Penn can make her move on Sam, he recovers in time to shoot her in the heart.

Emma and Dean wind up in a standoff, her with a ritual dagger and Dean with a pistol. As Dean tries to reason with his daughter, Sam makes it just in time to realize that his brother is very reluctant to kill her. As Sam zeroes in on his niece, Emma makes one last attempt at pulling Dean’s strings before Sam pulls the trigger.

Attempting to stop the Amazon operation, the boys move in on the warehouse only to discover that the tribe has moved on — nothing cluing them to where they have moved on to.

As the episode closes out, Sam and Dean talk about the situation with Emma where Sam reminds Dean that this is all too similar to the circumstances with Amy (The Girl Next Door) where Sam let the monster get away and Dean had to be the one to make the kill. Sam levels with Dean, telling his older brother that his emotions will get him killed evidenced by how Dean was ready to let Emma walk. With all of the turmoil of Castiel’s and Bobby’s death and the addition of Emma’s death, it’s now clear that Dean’s head isn’t in the game.

The biggest takeaway from The Slice Girls is how it pulled a reversal on a similar situation that took place during The Girl Next Door. Given how unraveled Sam’s emotional state is currently, having Sam with the opportunity to give Dean a lecture on keeping his head focused is a real twist. Supernatural has always been a story driven on emotion and while we see the brothers in the middle of some really hardcore stuff, someone is always facing the possibility of being hurt.

The Slice Girls was a good episode, but it didn’t really bring anything to the table outside of more thinking points about how the Winchesters function. The typical “Winchester flair” just wasn’t there, but the lack of it wasn’t a deal-breaker. Seeing Sam and Dean separating as much as they have done this season is almost as nerve-wracking as it is exciting because one of these days someone is going to pay a terrible price for working solo.

Sam seems to be becoming the more responsible one as of late while Dean is getting more and more emotional. I’m sure this is building up to something critical for the storyline as season 7 keeps moving.

Next week, it looks like Sam has to face his biggest fear (clowns) when Supernatural returns with Plucky Pennywhistle’s Magic Menagerie.

David Guetta’s current album Nothing But The Beat keeps churning out the singles and this time the popular DJ/Producer teams up with Nicki Minaj for the fifth single from the album Turn Me On.

In this new video, we watch as Guetta plays a mad scientist creating his very own Nicki Minaj from scrap parts. Once the doll is assembled (her plastic skin is shiny and completely bare), she slowly transforms into the very human-looking Nicki and Guetta unleashes it onto the world.

As one of the stronger tracks from the album, the very stylish music video complements the song completely.

Be careful, this video may be considered NSFW!!!

Sam (Jared Padalecki) and Dean (Jensen Ackles) tangle with the God of Time (Jason Dohring), who sends Dean back to 1944, where he is immediately arrested by none other than the one and only Eliot Ness (Nicholas Lea). While trying to figure out how to retrieve his brother, Sam is surprised by the reappearance of an old friend (Kim Rhodes).

Original Air Date: 13 January 2012 – Directed by Philip Sgriccia and Written by Robbie Thompson.

The moment has arrived for one of those uncanny time travel episodes. Supernatural gets back into its stride this week as the boys come to blows against Greek god Chronos in Time After Time.

The episode starts off with Sam and Dean chasing down a man in a fedora who sucks the life out of his victims. When Dean manages to grab the guy, they both disappear in a red flash of light, leaving Sam with only guesses as to what just happened.

A Case of the Mummies

Two days earlier, Sam and Dean are alerted to a case from Sheriff Jodie Mills who’s started keeping an eye out for activities of the supernatural variety. Bodies of young and healthy adults are turning up mysteriously mummified, aged beyond recognition. Picking up the case, the boys head to Canton, Ohio but not before Sam takes the opportunity to tell his big brother that he’s going to torture himself staying up at night obsessing over Dick.

Trying to tie leads together, the Winchesters talk to the only eyewitness to the most recent incident (who local law enforcement have branded as “unreliable”). After a rather passionate account from the witness chock full of details about a guy in a fedora choking the life out of his neighbor, more clues manifest. The victim aged right before his eyes followed by a strange red energy passing from victim to assailant and even his watch stopped as it happened.

This isn’t the first time that fedora guy has been spotted. Canton is rife with similar incidents of shriveled bodies throughout history and the boys come across an actual newspaper article containing a photo of the mystery man. Using local camera feeds (a trick Dean picked up from Frank), fedora guy is discovered stalking around a gas station where Sam and Dean realize that this same man hasn’t aged a day in over 55 years when compared to the photo from 1957. After talking with a witness from the actual 1957 crime scene, the boys get fedora guy’s address, stake out his house, and move on him when they see him leaving the house.

Dean manages to catch up with him in an alley right as he’s claiming another victim and we’re back to where the episode begins…

After tackling the man and being enveloped by the red light, Dean struggles with the mystery guy and catches a glimpse of the ring he’s wearing which has the inscription of the infinite hourglass — the mark of Chronos. Fedora guy gets away and Dean is immediately spotted by local authorities (wearing retro police uniforms) and gets arrested.

After being grilled by his arresting officer, a new case detective takes over the interview. Dean tells his story (the actual truth) to the detective and quickly realizes he isn’t being written off as some sort of kook by this new officer. Learning that the detective happens to be 1944′s version of a hunter, Dean is floored when he shakes hands with Eliot Ness.

Eliot takes Dean to meet his tailor, Ezra Moore (Linda Darlow) who is the era’s very own version of Bobby Singer all the way down to the sharp tongue. Ezra gives Eliot and Dean the scoop on Chronos, the God of Time while she decks out Dean in a new getup suitable for the era. Using Dean’s recollection of Chronos’ address from the future, the men raid his house learning that the God of Time has stayed wealthy by betting on sporting events that he knows the outcome to (Back To The Future style). They’re able to confirm this after (hilariously) working over the bookie that’s been handling Ethan Snyder’s (Chronos) gambling bets and get the location of Snyder’s favorite hang out.

Staking out Snyder from outside the diner, Dean and Eliot talk and we learn how Ness became a hunter and his motivation for staying in the profession. Spotting a young woman leaving the diner who is followed moments later by Snyder, the hunters suspect her as the next sacrifice Chronos has picked out. Making the move on Snyder, Eliot and Dean realize that the young woman is actually Snyder’s girlfriend and hang back long enough to figure out who she is and where she lives. Instructing Dean to swing back to Ezra’s for any new info she may have gathered on Chronos, Eliot elects to case the house of Chronos’ girlfriend Lila (Melissa Roxburgh), but gets ambushed by Chronos the moment he’s alone.

Back at Ezra’s shop, Dean receives the weapon that is guaranteed to kill the God of Time from Ezra along with a special “good luck” present from the wise hunter. Glancing over a stack of Ezra’s mail, Dean figures out a way he can get a hold of Sam in 2012.

Writing a letter to his kid brother, Dean leaves it in the house where he and Sam were squatting before he was zapped to 1944…

Back to the Future

Back in 2012, Sam is trying his best to connect the dots looking for some clue to where Dean has disappeared to. After another phone call from Jodie, Sam and the sheriff start working together on the case and Jodie uses her pull to break into one of Bobby’s storage units. They learn everything Dean, Eliot and Ezra has learned about Chronos, the God of Time along with Chronos’ motive behind the victims (sacrifices) he’s draining dry. Unfortunately, nothing they have solves the big mystery — where Chronos and Dean are actually at. The only way to figure out the next move is to learn how to summon a god.

Jodie finds lore indicating that Chronos can be summoned for a reading of the future which is good news until Sam delivers his bombshell. Sam has the spell to summon Chronos, but the deity has to be called when Dean is within range (hands on) to get them both together in the current time period. Stuck between a serious rock and a hard place, Jodie sends an exhausted Sam to bed to rest up and Sam makes the discovery of a lifetime as he’s about to close his eyes — Dean’s letter from the past.

Knowing where and when Dean is, Sam and Jodie still need an exact time from where to get Chronos and Dean together to make the spell work. With Dean’s letter mentioning Lila Taylor, the duo locates Chronos’ ex-girlfriend in a local retirement home and learns that in the 40′s, Ethan choked the life out of Dean right in front of her and Eliot Ness leaving every clock in the house stopped at exactly 11:34.

The Future is covered in Thick Black Ooze

Searching for Ness back at Lila’s place, Dean gets jumped by Ethan but the fight is interrupted when Ness shows up out of hiding having taken Lila hostage. Cornered, Ethan reveals that he is a god who has been killing to travel back and forth through time because of Lila who he is truly in love with. At the exact moment that Lila told Sam and Jodie about, Dean tries to come at him with the stake but Ethan intercepts him and starts to strangle him.

In 2012, Sam and Jodie incant the summoning ritual and  pull both Dean and Chronos through time back to the present. Before the two are yanked back to the future Ness makes sure Dean has the stake, calling the young hunter untouchable. Infuriated by being pulled back into the present, Chronos lashes out at Sam and readies to finish what he started in 1944 with Dean but is distracted long enough allowing Sam to deliver the fatal stab to the heart.

Dying, Chronos gives the hunters a reading on their future which is a direct foretelling of events to come for the rest of the show’s seventh season. “It’s covered in thick black ooze. It’s everywhere. They’re everywhere. Enjoy oblivion.”

While the episode ends very abruptly (no end scene where the boys sit on the car and talk about their feelings this week), we’re left with a very good episode of Supernatural that actually returns the show to its more classical formula of action, humor and solid storytelling.

Season 7 so far is turning out to be the “season of Dean” and this episode is no exception. Dean is once more brooding about Leviathans and drowning in the sorrows of his personal losses. Our boy gets some more advice on how to deal with the terrible pitfalls of his life as of late this time from the great Eliot Ness. His advice to Dean about dealing with life and loss comes on the heels of last week’s speech from Frank which basically reminds Dean that no one lives and sooner or later he’ll be dead, too.

Jodie Mills has come a long way since her introduction in Dead Men Don’t Wear Plaid. It’s great seeing her character start to fit in better and better with the boys (and the hunter culture) and seeing her as she tries to unravel Bobby’s life puts a new spin to the take no attitude sheriff she was once introduced as. Watching how she interacts with the boys on this case we quickly get the impression that Jodie is going to become a bigger fixture in the series for a while to come.

If there’s one thing Supernatural time travel episodes do, its showing off how much of a dork Dean Winchester can really be. Whether he’s touting references to Untouchables or just relishing in the moment (“Is that a German name?”), seeing Dean geeking out and making a complete 180 from troubled Dean is always a sight to see.

Seeing the brothers also back in more of a light hearted spirit also let’s us know that they are trying to move past losing Bobby. From the classic Winchester rock-paper-scissors match (which always ends with Sam winning) to Sam’s teasing the Dean is “strictly into Dick,” we have ourselves a classic episode of Supernatural.

Supernatural goes on break for two weeks (reruns) before returning February 3rd with The Slice Girls. See you in a few weeks.

Still reeling after what happened to Bobby, Dean (Jensen Ackles) becomes dangerously obsessed over finding a way to take down Dick Roman (James Patrick Stuart). Meanwhile, Sam (Jared Padalecki) decides to help a teenage girl (Madison McLaughlin) look for her father (Ian Tracey), a hunter who has gone missing. Sam traces his last steps to a truck stop where the help (Meghan Ory) turns out not to be so friendly.

Welcome back, Supernatural! It’s been a long 5 weeks since we saw the turn of events from last December’s Death’s Door. Let’s go ahead and come out with it: Bobby is dead. Death’s Door showed the stark reality that awesome characters die — and there have been tons of awesome characters (Ellen, Jo, Rufus, Castiel, Pamela) throughout the seven seasons of Supernatural.

Three weeks have passed since Bobby used the last of his time to write out 5 numbers (45489) on Sam’s hand before passing away and the boys are coping with the loss while trying to plan their next move on the Leviathan menace. While Sam and Dean are going to miss Bobby, ultimately, the fans themselves will miss him more. Adventures In Babysitting focuses on the Winchesters and how they deal with Bobby out of their lives.

A Hunter Gets Snatched

At the beginning of the episode Lee Chambers is sitting in a diner stalking something supernatural that carries the guise of a working girl named Sally (Once Upon A Time star Meghan Ory) who is setting up trysts with truckers coming in and out of the diner. His server refills his coffee and tries to make small talk when Lee sees his target moving on with a truck driver in tow. As he follows the pair between some parked 18-wheelers, he is surprised to find that his server has followed him outside the diner…

The server alerts him that she’s slipped him something in his coffee — her own venom. Feeling the effects of the toxin, Lee is easily overcome as he realizes that what he’s hunting is not simply one creature but a pair.

Sam and Dean are coping with their Loss

Back at Rufus’ safe house, the boys have started working on the singular clue Bobby left them. They’re both dealing with Bobby’s death in their own way with Sam turning it all inward and keeping it bottled up (like he has countless times before) while Dean goes to his typical ‘turn angst into revenge’ mode. Sam breaks the ice first by wondering if they should start contacting Bobby’s people and Dean immediately objects to the idea passing it off to Sam who is just as reluctant.

Having taken all of the information they have and turned it over to conspiracy kook Frank Devereaux, Dean is feeling the strain from not hearing from Frank yet. As the boys are talking it over, Bobby’s cellphone rings and Sam takes the call, speaking to Lee’s daughter Krissy who was left with specific instructions to contact Bobby Singer if he doesn’t return. Sam senses trouble and wants to check it out but Dean wants to find out what the hell happened to Frank. As they discuss splitting up, Dean’s freshly opened beer is suddenly sucked dry mysteriously (while in his hand) but they dismiss it pretty quickly.

Sam meets up with Krissy and after checking things out, he leaves her with Dean’s number to call in case she doesn’t hear from him (ominous instructions for the teenager at this point). Sam figures out that Lee was after a vetala, which happens to be similar to vampires. And that trail leads him to the same rest stop diner where Lee was taken. He makes a call to Dean (who is passed out from exhaustion) and leaves him a message about his discovery before making his move.

After having a conversation with Marlene (the waitress that handled Lee), Sam is led to Sally who lures him directly into an ambush where this time Sally is revealed to be a vetala. Sam is bitten and overcome leaving the two creatures another hunter to feed on.

Dean meets up with Frank

Dean shows up at Frank’s place which is completely ransacked and abandoned. Taking that as a bad sign, Dean doesn’t get long to investigate before Frank has gotten the drop on him (twice in as many episodes). Having been exposed to the information on Leviathans, Frank is overly suspicious that Dean may be a Leviathan and is ready to start shooting. After providing a simple blood screening (Leviathans bleed black goo) and then making Frank prove the same, they start talking and Frank takes Dean to where he’s relocated — an RV equipped with every piece of electronic equipment he owns. Frank gives Dean both the good and bad news about those numbers from Bobby.

Bobby had been short one number as he was dying but Frank managed to figure out the missing number which made up the coordinates (45″4′ 89″3′) to a patch of land in Wisconsin of special interest to Dick Roman. Dean and Frank, dressed up as telephone technicians, go out to investigate the plot of land and discovers that the whole area is under surveillance. After tapping into the rigged equipment, Frank makes the discovery that there’s something up with the site that has Dick very interested but there’s no clue to what it all amounts to yet.

Frank gives Dean some advice about the Bobby situation: fake your way through the rough stuff. Sharing with Dean the moment that changed his own life (seeing his wife and children heinously murdered), Frank tells him that he has to exercise professionalism if he wants to make it. As Dean listens, he get’s Sam’s voicemail about the vetalas and realizes that Sam has made a terrible mistake.

Dean gets to babysit Krissy

Already set to panic, Dean gets a phone call from Krissy telling him that Sam is missing. Dean gets a shot of reality when he meets up with Krissy as he realizes that the girl has a lot in common with both him and Sam. She’s plugged into the life and is just as cynical (if not more) as Dean. After Krissy proves that she can handle herself, Dean has no choice but to bring her along to find Lee and Sam tricking her long enough to handcuff her to the steering wheel so she can’t get hurt with what happens next.

Dean manages to get the drop on the vetalas before they can drain Lee dry but Krissy shows up and nearly blows everything when she is taken hostage by Sally. The interruption turns out to be well choreographed as Krissy winds up being the one to save them all by taking out Sally and distracting Marlene long enough for Sam to make the kill.

Family Matters

Leaving Krissy and Lee safely behind in the hospital, Sam and Dean hit the road. In the final scene of the new episode, the brothers talk about the situation they face. Sam admits that he’s not alright with what’s happened to Bobby and Dean is right there with him. Agreeing that they should get to work and figure out how to kick Dick Roman’s ass, the tone changes as Sam tries to sleep and Dean drives. As the scene closes out, you can see in Dean’s eyes that he is starting to accept the reality that the closest thing they had to remaining family is dead.

Adventures In Babysitting didn’t see the return of the normal action packed show that is Supernatural, but it brought back enough heart to the story to set us up for the future of where the rest of the season can only go. It would have been a terrible slap to the face if the show went immediately back to its standard humor/action formula in the wake of losing another major character. How people deal with life is just as important as how they deal with death, and we get to see the Winchesters dealing with something almost as profound as when they lost John.

The highlights of Adventures In Babysitting are Dean’s interactions with both Frank and Krissy. Frank helps to keep Dean grounded while Krissy gives Dean a vivid look back at where he came from. Seeing the boys in another emotional tailspin is a theme that we’ve seen throughout the show since season 1 and the hits keep on coming for Sam and Dean.

Dean’s suffering from exhaustion is also a key factor for the episode. As evidenced by his beer being drank dry without him realizing it, his confusion that it’s only been days since they contacted Frank about the Leviathans and his sleeping an entire 36 hours in the RV, Dean continues to struggle more and more as the series goes on.

Seeing Lee and Krissy’s future also helped out the Winchesters’ state of mind as well.

Next week, we’ll see Dean taken back to 1944 where he’ll hunt side-by-side with Elliot Ness (yes, that Elliot Ness). See you next week.

There’s a special place in hell for this woman, along with the likes of T-Baby (It’s So Cold In The D) and Bangs (Let Me Take you To The Movies). There wasn’t even anyone in this poor girl’s life to tell her the difference between a muffin and a cupcake!

The video follows a group of young hipsters enjoying a night of illegal fireworks displays, before taking to the streets for a good old fashion stick-up that ultimately doesn’t go the way they planned.

Pages calls upon Randy Valdes and his GlassWorks MultiMedia team to create a stunning and innovative visual for the single, “Mainstream Nightmare.” The music video was partially shot underwater and compliments the dramatic nature of the song with an ominous, gloomy look. Director Randy Valdes describes it as a “result of 300 meeting Biutiful in a Hip-Hop world.” Produced by long-time veteran Nick Fury of Liquid Shield (credits include Slick Rick, Ras Kass, Skam2? and more), the song also features Liquid Shield’s very-own songstress, Juliet. In “Mainstream Nightmare,” Pages aggressively expresses his thoughts towards those not upholding the essence of Hip-Hop culture, balanced by the sultry voice of Juliet, creating a smooth dynamic and perfect blend of edginess and harmony.

South African artist Spoek Mathambo goes all out for his video for “Control”, a cover of Joy Division’s “She’s Lost Control”. The images combined with the music make for quite to powerful effect.

Having last aired in syndication in the States 5 years ago, Dragon Ball GT will be returning to air January 16, 2012 on NickToons.

With the Dragon Ball Kai series already ended in Japan and coming to an end in the USA in early January of 2012, the next step is obviously to re-visit Dragon Ball GT. Consisting of 64 episodes, GT is not based on the original Dragon Ball manga from Akira Toriyama and first aired in the States on Cartoon Network in 2003.

Dragon Ball is pushing 30 and is among one of the most fan-loved anime series worldwide (though Dragon Ball GT is hated by fans because Toriyama admitted this series was not canon). NickToons will begin airing Dragon Ball GT beginning Monday, January 16, 2012 at 7 PM ET.

Since departing NBC’s Law & Order: SVU, fans everywhere have been wondering what’s next for Christopher Meloni (who played main character Elliot Stabler for 12 seasons).

Wonder no more. Meloni will be making a jump to another TV show that’s just as controversial (if not as riveting) as he officially joins the cast of HBO’s popular supernatural show, True Blood.

Series creator Alan Ball mentioned to TVLine that the former Law & Order: SVU front man will play, “An ancient, powerful vampire who holds the fate of Bill and Eric in his hands.” [<-- spoiler for Season 5]

As more True Blood news pops up, be sure to stick with us for more details (and more spoilers).

The future will never be the same when the time traveling pizza boy and his friends wreak havoc on the world as they know it. Loaded with tons of fan favorite special features from the creators, Futurama Volume 6 comes to Blu-ray and DVD December 20th from Twentieth Century Fox Home Entertainment. Featuring the misadventures of Phillip Fry, a 25-year-old pizza delivery boy whose life is going nowhere and fellow friends, Futurama takes off when Fry accidentally freezes himself on December 31, 1999, and then wakes up 1,000 years in the future. His turn of fate gives Fry a chance to make a fresh start.

Futurama Volume 6 once again features the original voice cast including Golden Globe® winner Katey Sagal (Sons of Anarchy) as Leela, Billy West as Fry and John DiMaggio as Bender.

Special Features (Blu-ray and DVD):

• Deleted Scenes
• Audio Commentary
• Professor Farnsworth’s “Science of a Scene”
• Reincarnation Explained! With Director Peter Avanzino
• Futurama F.A.Q. (Frequently Axed Questions)
• Christopher’s Big Score: The Music of Futurama
• Futurama Fans: 101 Questions

Sterling Archer, the world’s most dangerous spy, and his snarky ISIS cohorts are back for another outrageously raunchy season when ARCHER The Complete Second Season comes to Blu-ray and DVD on December 27^th from Twentieth Century Fox Home Entertainment.

Loaded with three exclusive top-secret animated shorts, ARCHER The Complete Second Season features all 13 episodes plus hilarious never-before-seen extras!

The story of  a suave but incredibly self-centered master spy, Sterling Archer deals with global espionage, as well as his domineering, hyper-sexual mother/boss, Malory Archer, his ex-girlfriend (and fellow ISIS agent), Lana Kane, her ISIS accountant boyfriend (or ex-boyfriend) Cyril Figgis while carrying a less-than-masculine code name, “Duchess”.

When he’s not busy foiling eco-terrorist threats, tracking down mysterious killers, or having sex in x-ray machines, the suave master-spy has his hands full with bikini-clad ninjas, Swiss nymphomaniacs, and paternity suits.  Archer searches for the true identity of his father, battles breast cancer, and brings a sexy, ex-KGB agent home to meet his domineering mother.  It’s all in a day’s work for the international man of mystery in this uproariously edgy animated farce.

Created by Adam Reed and Floyd County Productions and is executive produced by Reed and Matthew Thompson, the show is produced by FX Productions.

ARCHER features the voice talents of H. Jon Benjamin (Bob’s Burgers, Family Guy), Jessica Walter (Arrested Development), Aisha Tyler (24, Friends), George Coe, Chris Parnell (30 Rock, Suburgatory), Judy Greer (27 Dresses, Marmaduke), and Amber Nash.

Blu-ray and DVD Special Features:

·         Ask Archer

·         Archersaurus – Self Extinction

·         Semper Fi

·         L’espoin Mal Fait

·         Isis Invades Comic-con

Archer returns for its third season Thursday January 19, 2012 at 10p/9c.

In some news that’s sure to please Supernatural fans after being sent reeling (myself included) from last week’s episode Death’s Door, the word is out that Misha Collins will be returning to the series for at least three episodes later in the current (seventh) season.

Portraying the fan-favorite Angel Castiel since season four of Supernatural, Misha Collins’ Cas was last seen playing God (literally) in the seventh season premiere episode and then (in the follow-up episode) disappearing in a violent death after having ingested Leviathans while trying to seek out souls from Purgatory. Collins was recently cast for an upcoming role in the CW drama show Ringer while another star from Ringer will be making a guest appearance as another God in the show. Collins’ first appearance since the season’s second episode is set for the 17th episode.

Supernatural returns January 6, 2012. Hopefully some answers will be delivered on the Winchesters’ current dilemma.

As Sam (Jared Padalecki) and Dean (Jensen Ackles) race the clock to help Bobby (Jim Beaver), Bobby seeks the help of an unlikely old friend to solve one of the most personal cases of his life.

This is the big one. After the events from How to Win Friends and Influence Monsters came to a boil with Bobby taking a near-fatal gunshot wound in the head thanks to lead Leviathan Richard Roman (James Patrick Stuart), we now find ourselves with the last episode before Supernatural goes on a mid-season break. And it is a doozy…

Death’s Door is the most emotional episode of Supernatural this season. The episode, written by series front-runner Sera Gamble, pulls you in the entire 40 minutes from the opening ‘previously seen’ scenes right to the end roll of the credits. I’ll warn you now: if you hated the cliffhanger ending from How to Win Friends and Influence Monsters, you’re really going to hate this one.

The episode opens up with Sam and Dean racing to the nearest emergency room urgently trying to get their friend and substitute father some help before he dies. While all of this is taking place, we get to see glimpses of Bobby’s past in a life flashing before your eyes montage that brings back some of the key players in Bobby’s life including Rufus Turner (Steven Williams) and Bobby’s wife, Karen (Carrie Anne Fleming).

First off, it was awesome seeing Rufus again! I was among the giant chunk of fans who were really upset when he died in …And Then There Were None because Rufus’ old school wit and humor not only fit in perfectly with Bobby’s, it made the show click tremendously. It’s very true how they say that in Supernatural, being dead doesn’t mean we won’t see you again. Getting to see him crusading beside Bobby, even if it is all in his head as a comatose dream, was a big time win for the season.

The first flash we get is of Bobby, Dean and Sam from last episode as they were hunting down the Jersey Devil and Bobby realizing something is awfully wrong. The hunters meet back at the shack they were huddled in and Bobby tells the boys that he knows that he’s inside his head and that in the real world, he’s been shot and he’s dying. Grabbing pen and paper, the hunter scribbles down some numbers (coordinates, possibly) telling himself that he has to relay a message to the boys about the plans the Leviathans are cooking up. As he makes the connections, Bobby suddenly finds himself talking to his wife about their future and Bobby skips out before one of the most important events of his life plays out. If that isn’t bad enough, a Reaper has come to collect him and help him into the afterlife.

Throughout his mental quagmire, Bobby keeps seeing a young boy running in and out of each one of his memories and right as Bobby trips into a memory of one of his earliest hunts with Rufus, the boy stops him saying, “God is going to punish you.”

Every flash of memory Bobby has is a breakdown of the good and the bad of what he’s seen in his life and his mental image of Rufus helps him discover how to snap out of his coma and get back to the living world. The major clue in the whole ordeal comes from Rufus following his own life and death battle on the table after the hunt he and Bobby had almost went south. He tells Bobby that the worst memories of his life are the key to getting out. Bobby suddenly realizes that the kid he keeps seeing is himself and that he’s running back to the events that make up his worst memory.

We see his memories of Sam and Dean and how the two boys he calls his own sons helped him past the demons of his terrible childhood. On the trip, the Reaper let’s Bobby know that he’s treading the line on becoming the very thing he’s hunted most of his life and that if he dies without resolving himself to his own death, he will become a ghost.

In the real world, Sam and Dean are trying to come to grips on the situation. Sam is already coming to the realization that this may be it, while Dean isn’t ready to open that door. Stepping outside to try and clear his mind, Dean runs across Dick and the two have a standoff while people all around them video the confrontation. Dick smugly warns Dean the leviathans can’t be killed and they aren’t afraid of the hunters.

When Bobby finally makes it back to his worst memory, we get to see Bobby’s first kill. While I give out a lot of spoilers in these episode breakdowns, I’m refusing to give up the big punch line this time. When Bobby makes it past his worst experience (it wasn’t killing his own wife after Karen was possessed by a demon), he wakes up in the hospital and gets his chance to deliver his message to the boys. Writing out the numbers on Sam’s hand, the last thing he says to them basically stops the clock. “Idgits.” Bobby flatlines and the trauma team gets to work.

As the episode closes out, Bobby and the Reaper have one last talk and Bobby sees his final memory of the boys as they are all watching movies and arguing over popcorn, licorice, Chuck Norris and Jet Li. It all ends with the Reaper asking Bobby what his choice is, and the ticking of his pocket watch.

Death’s Door is another cliffhanger episode (as is the trend of this season of Supernatural) and now we all find ourselves waiting until the show returns January 6, 2012. I keep finding myself noting how much any episode dealing with Bobby is always my favorites (Weekend At Bobby’s, Appointment in Samarra, Tall Tales, …And Then There Were None) and this is no exception.

A big shout out goes to the crew of Supernatural for bringing Rufus back to help Bobby out one more time with another case. We don’t know for sure what the future holds for Bobby just yet, but I will say that the cliffhanger ending was very disappointing as we had to wait 2 whole weeks just to get to this. It was truly heart-warming hearing Bobby say that Sam and Dean are his sons, and that’s a testament to the magic of the writing for this show.

See you January 6th.

With the release of multi-talented artist Maimouna Youssef’s full-length debut album, The Blooming, comes the video for her first single off the album, “I Got A Man”.

The video approaches the song’s love triangle theme from a unique perspective showing Maimouna Youssef as an embattled independent music artist searching for a balance between the music business and her love for creating free honest music.

Check out more info and music on Maimouna Youssef’s website.

Purchase/Downland “The Blooming” here.