Megan also had a couple recent photo shoots in the New York Times and Rolling Stone, which you’ve probably seen online by now. But for those of you who just can’t get enough Megan Fox, we’ve got outtakes from the RS shoot — 31 pics to be exact!

There are also outtakes from the NYT shoot floating around the net (more recently than the RS outtakes in fact), but we’re skipping those because they were kind of artsy and pretentious. Well, except for the one with Megan holding her leg over her head demonstrating her flexibility — that one was just kind of weird.

[View with PicLens]

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Year: 2009
Running Time: 149 min.
Rated: PG-13
SRP:$ 29.99
Studio(s): Dreamworks, Paramount
Release Date: October 20, 2009

Pop Culture Shock usually gets the blu-ray of such big studio releases but due to limited material PCS was given the DVD to screen. I will try to list the differences where possible.

Film/Feature: C-
To run the plot down quickly, Sam Witwicky (Shia LaBeouf) is trying to move on with his life and enjoy the normalcies of a young adults. Go to college, go through a rites of passage, etc. but his relationship with the Autobots, and especially his grandfather involve him in things out of his control. He must live out a destiny, reluctantly, and accept it to save the human race against one of the original Decepticons, The Fallen who last visited the Earth thousands of years ago.

Megatron is revived, and gets his troops back together with the help of a very cool update of Soundwave and Ravage who retrieve the last known piece of the Cube from the last film. Sam though has the rest of the key for a great big weapon that will call the Fallen back to Earth, and arm a weapon that will destroy the sun, ending all of humanity as we know it. They set a trap for Optimus who gets ambushed and slaughtered in a righteous forest battle. Sam escapes and regroups with the help of his girlfriend Mikaela (Megan Fox), his college roomate, Leo (Ramon Rodriguez), and Seymour Simmons (John Tuturro) and an ancient Decepticon turned good, Jetfire who they find hanging out at the Smithsonian, warp to the middle east where the Matrix of Leadership is hidden and must be retrieved to revive Optimus Prime. Everyone converges upon the great Pyraminds of Egypt that are covering the weapon the Decepticons want to unleash. Can Sam get the Matrix to Optimus in time? Can he rescue the day? Can he please rescue this film from it’s paper-thin plot? I wish.

This says it all doesn't it? LaBeouf on the left, Bay on the right

The thing that aggravated me about this film was the same as the first, and that’s too much of the Witwickys, too much of the college roomate, Leo, and all of these arbitrary things that are put in because apparently I’d be too dumb to be able to follow an entire film about just the Transformer characters. Sam’s mother in particular is one of the most annoying characters in mainstream film since Jar-Jar Binks. She’s that bad. I watched a cartoon for several years that was just that that only had Spike, his dad, and his friend in a wheelchair as most of the human interaction. I don’t need much more than that, honestly. I came to see a film about the Transformers, not Sam Witwicky. I don’t care about whatever rites of passage he needs to take on, and I don’t believe that this kid is the only one who can bail the Transformers out every time. I was so annoyed by the above that I wasn’t even phased by the completely unnecessary “Autobot Twins” Skidz and Mudflap who are unintelligible, street-talking, doofuses who just get in the way. There are hundreds of characters Bay could have used instead of creating two throw-aways who also sparked a racial controversy.

There were improvements made to the film franchise like the redesign and silhouettes of the Transformers which make them easier to distinguish from each other. Also the animation was much more aggressive by having most of the transformations happen while on the move. This review has no beefs with the technical side of the film, and Bay does know how to make an explosively huge film that flocks of people want to see. Of note there were some excellent voice talent that came back for the second film. Peter Cullen who everyone knows as the voice of Optimus Prime and Hugo Weaving (LOTR, Matrix) played Megatron in the first film, both reprise their roles, and Frank Welker who played Megatron and Soundwave amongst many others in the 80’s cartoon was brought back to play Soundwave, Devastator, Reedman and Grindor. So it’s not all doom and gloom.

This story suffers from much bigger things and that’s creating a Transformers story where if you take LaBeouf’s Sam out of the picture, the story has nothing else built up about the actual transformers that could carry the film. We have these great characters, regal, proud race of robots that depend on a human every single time to save the day. The Autobots lived long before and will live long after the humans, so why is there such a dependent crutch in Sam? Because of that, I feel that the writers and Bay just do not understand what the Transformers are about. Ultimately the studio gives them free reign to make a big moneymaker but as far as the film goes, it’s a running joke. The Transformers should be independent of the humans, and not be suffocated or be held back based on what’s written for LaBeouf and Fox. Give me a point of interest that doesn’t involve either one of these characters, and eliminate the parents, and that will be the start of a Transformers movie that’s done right. Revenge of the Fallen though will be one of those films that people show off all the bells and whistles of their home theater, but because of how the film itself disappoints, the DVD and Blu-ray for that matter will probably not get as much replay value as one would hope.

Video/Audio: B+/B+
Revenge of the Fallen on DVD is presented in a 480p MPEG-2 encoded transfer in 2.40:1 aspect ratio that’s full of rich and vibrant colors and detail maximized as best as can be on standard definition. Blacks are nice and dark, grain is present throughout, and while the DVD may satisfy the less critical eye, it lacks the clarity and crispness of high definition. The impressive shock and awe of a blu-ray is incomparable so that’s why the grade isn’t higher, but make no mistake, this is still a fine looking DVD. The audio soundtrack is a 5.1 English Dolby Digital audio track can be defined as the very best that can be heard in DVD. This is a Michael Bay film and so goes the subwoofers and surrounds with all of the activity that will travel round in this viewing experience. The dynamic body blow effect isn’t as prominent as it would be in blu-ray so I temper my grade accordingly. Other audio selections include: 5.1 Dolby Digital French and Spanish tracks and subtitles are available in English, French, and Spanish.

If you do have blu-ray, know that it is presented in 1080p high definition with an English 5.1 DTS-HD lossless Master Audio track and is an incredible reference disc for your home theater.

Ravage Reimagined

Extras: A

Disc 1
Audio Commentary by director, Michael Bay and writers Roberto Orci, Alex Kurtzman is actually two tracks in one. Bay’s comments come in sparingly while the writers talk at length about different parts of the filmmaking performance. If you’re looking to hear more from Bay, be patient because you’ll get plenty of him on the rest of the extras, trust me.

Disc 2
The Human Factor: Exacting Revenge of the Fallen is a huge 2 hour and 15 minute documentary chronicling the entire production, (pre, principal and post) complete with cast and crew interviews. This is a first rate making-of, almost exhausting investigation of how this film was made and perhaps a little too much glorification of Michael Bay. Still, it’s one of those extras that are a must-see, if only to see just what kind of strings Bay can pull in the movie industry.

• Seeds of Vengeance-Development and Design SD (30:04) reviews the first Transformers film as the boy who gets car and then gets girl story, then trying to jump the hurdel of the writer’s strike to get a script done on the sequel.

• Domestic Destruction-Production: United States SD (24:20) Cast and crew find out or tell all what a tyrant Bay can be to work with jumping around to location shoots in New Mexico to Pennsylvania.

• Joint Operation-Production: Military SD (10:02) This part really blew my mind. To see what Bay is able to do as far as military access and full carte blanche almost, is insane. But the military sees Transformers as a big commercial and recruiting tool, so everything is okay.

• Wonders of the World-Production: Middle East SD (13:17) Again Bay uses his and Spielberg’s pull to get access that’s unheard of by any other filmmaker by being able to film the pyramids and be able to have actors climb on the actual Wonders of the Earth boggles the mind. They go from Egypt to Giza and to Luxor in magnificent sights that need to be seen in one’s lifetime. This is one section where I really wish I had the blu-ray.

• Start Making Sense-Editing SD (9:20) reveals how Bay edits a film using four editors who simultaneously work on the same scenes in an unorthodox tag-team method.

• Under The Gun-Visual Effects SD (29:03) With Revenge of the Fallen shooting to be bigger than the first film, Industrial Light and Magic undertook the taske of creating the most complicated VFX movie in history. The Devastator VFX alone requried 83% of the ILM render farm capacity.

• Running the Guantlet-Post Production and Release SD (16:34) the exhaustive documentary comes to a close that has color timing and sound design in the eleventh hour before the premiere and then shows the stars on the red carpets all around the world.

A Day with Bay: Tokyo SD (13:28) is a day in the life of Bay while on the foreign press tour as they premiered the film in Japan. He even takes a dig at McG and Terminator 4 in the press junket.

25 years of Transformers SD (10:49) is not as long as one would hope but Aaron Archer of Hasbro is interviewed to talk about updating the classic characters to the film, giving Bay and design crew access to the entire catalogue as well as creating new characters.

NEST: Transformer Data-Hub allows viewers to look at all of the conceptual artwork for Optimus, Bumblebee, Ironhide, Jetfire, Skidz, Mudflap, Megatron, Starscream, Ravage, Soundwave and Devastator.

Deconstructing Visual Bayhem with Commentary by Pre-Vis Supervisor Steve Yamamoto SD (23:35) is a series of pre-vis animations that were used as the starting blocks for many of the action sequences in the film. Bay also gives an introduction (0:27) to the special.

There are three Extended/Alternative Scenes SD (6:15) that show Sam and Alice at the dorms, The Witwickys in Paris, and Leo refusing to go to Egypt.

Using the box and a web cam, you can activate a 3D holographic experience where ou can piece together the Matrix of Leadership to bring back Optimus Prime back to life. You’ll be allowed to repair his armer and calibrate his weapons.

There’s the theatrical trailer (2:38) and a music video of Linkin Park’s song “New Divide” SD (4:43) that closes out the second disc of extras.

Blu-Ray Exclusives
Sadly I am unable to review the blu-ray exclusives but can announce that they include The ALLSPARK Experiment, an interactive feature to allow viewers to customize their own robots and apply the Allspark to it and get a glimpse at a rogue robot. One combination will unlock an exclusive interview with Michael Bay and his plans for the next Transformers movie. The NEST Data-Hub on the blu-ray incorporates 3D spin galleries of each robot and a timeline for each character charting its origin, back story and design. Giant Effing Movie is a very personal look in the making of the movie, and the Matrix of Marketing includes posters and television spots along with the trailers.

Overall Shock Value: B-
There’s no denying what a mess the film is, but even marginal fans will be impressed by the technical treatment and treasure chest full of extras on the second disc. If it were me, I would make the jump up in blu-ray knowing what reference material potential this film has in a home theater. It looks absolutely stunning and sounds incredible in high definition but for the sake of this DVD review, it’s pretty darn good too. Despite any disparaging things I may have to say about the film, it has its fan base and much more devoted apologists. I can bring myself to fully endorse the film itself but the action, the effects, and the transformers themselves have all been improved from the first film, but like the first, the human story just doesn’t hold me in. Why we are still seeing anything with Sam’s parents is beyond me but Bay seems vigilant in ramming these and characters like the Autobot Twins down our throats to the point where they can almost turn viewers off. If you’re able to overlook all of that, there is a big spectacle under all of that wreckage and the folks at Industrial Light and Magic are the real stars of this franchise once again. The audio and video treatment, along with the extras save this DVD/Blu-Ray release big time from a lower score and is a great value on DVD, but given how the prequel thrived in high definition, the blu-ray is even better.

Paramount’s Transformers: Revenge of the Fallen powered its way to an amazing estimated total of $201.24 million over its first five days. The new Transformers film, which has also earned an outstanding $187 million overseas, pushed the box office total a solid 9% over the same weekend last year when Pixar’s Wall-E debuted to $63 million. Transformers’ three-day total of $112 million is the seventh best 3-day opening of all time and the best ever for a film that didn’t open on Friday. Its five-day total trails only The Dark Knight’s total of $203.8 million. Its $60.6 million Wednesday opening, aided by $16 million in after midnight openings, was the second biggest opening day ever, bested only by TDK’s $67.2 million.