CABLE #20: My biggest questions about this book right now, as it finishes up the (excellent) brood storyline, and enters its biggest arc yet (Hope & Cable return home) are: 1) What’s the mission after Hope and Cable get back to the present? and 2) Is there any hope at all for redemption for Bishop? To the first one, it’s clearly wait and see. I wouldn’t be surprised if the title gets canceled/rebooted in the wake of the upcoming “Second Coming” event, which ties up the loose X-Men storyline started in Messiah Complex several years ago. To the second… I don’t know. Duane Swierczynski has done such an effective job of completely breaking down Bishop, to the point he’s no longer a villain, he’s a tragic figure, more Shylock than Iago. So I’m not sure he can ever crawl out of that. Maybe this title could change from “Cable” to “Bishop” and be about his redemption arc? Anyway, all the heady talk aside: Cable blasts his way out a space-whale. Sweet. If you’re not picking up Cable, you’re missing one of the most unique journeys in mainstream comics today.

DAREDEVIL #502: Here’s my ridiculous comment – this series is still moving a little slowly for my taste. Silly, because its been literally three issues under Andy Diggle’s steady hand (#501, #502, and The List one-shot), so its not like we’ve moved an inch in a year or anything; it just feels like Diggle is still taking his time and feeling out the area, when I really want him to just f- some s- up. Essentially, despite the massive change in status quo, he’s still playing in Ed Brubaker’s sandbox. I’d like to see him start his own, play with his own characters and plotlines. That aside, Diggle does provide, as usual, solid plotting, good characterization, and some nice, albeit small, twists and turns. And the end of this issue seems to promise what I’m asking for, so no way I’m putting this title down yet.

DARK X-MEN #1: Paul Cornell never works better than when he’s paired with Leonard Kirk, like on Captain Britain and the MI13, one of the best series you guys got canceled and I hate you for. Kidding! Maybe. Anyway, Dark X-Men is a pretty much perfect first issue, following up on the events of the Dark Avengers/X-Men crossover, without ever having had to read any of those issues. Its a riff on the original X-Men line-up, and I won’t spoil anything by revealing who is who, but lets just say the gang’s all there… And evil. Great art, great writing, fun twists and turns. The only downside to this issue is that its kicking off a limited series, and not an ongoing.

DEADPOOL #17: This issue of Deadpool, as well as this week’s Amazing Spider-Man (see above) confirm something I’ve long thought: Deadpool works ever so much better as a villain. Or at least, an anti-hero more on the side of anti- than hero; and Daniel Way walks that line perfectly in this issue. As usual, the balance of action, jokes and character is great, and Way keeps the various balls in the air with deftness and speed. If there’s a reason Deadpool is so popular right now, its because of this title, and because of Daniel Way. Also? Best butt joke this week.

PUNISHERMAX #1: It’s missing the depth of Garth Ennis’ run, but we’re one issue in, so relax. Or rather, reLAX. Jason Aaron turns in a solid, fun, over the top Punisher tale in the best MAX tradition. And the story of the Kingpin’s rise to power is one that I shockingly haven’t heard before, so I’m really fascinated to see how this all turns out. Plus, Steve Dillon art. Sweet. This issue earns the right to call itself Punisher MAX, though I would like to see Aaron bring the emotion, as well as his usual razor sharp writing, to the next few issues.

S.W.O.R.D. #1: Well, that was… Not what I expected. Far more Phonogram than Beta Ray Bill, Kieron Gillen brings the funny to space with this first issue, creating a workplace comedy set in the Marvel Universe. There’s hints it might become something more, particularly in the stupendous back-up story (no joke, it’s worth picking up the issue just for this fantastic follow-up to Astonishing X-Men), but for right now, if you like ‘em fast and light, you might enjoy this.

STRANGE #1: I really love this book. Really, really love it. Emma Rios’ art is a clean fusion of manga and Western styles. The colors are bright and engaging. And Mark Waid, as always, turns in a pitch perfect comic book script. It even brings you up to speed with Dr. Strange’s current status quo, and sets up the series as effectively as a television pilot. Except… There’s something slightly off about it, and it isn’t just having a baseball storyline a few weeks after the season’s ended. It’s that it doesn’t quite strike the balance between the current status quo, and being a brand new series. It’s honestly a little hard to put your finger on, because I really did like this a whole lot, and even recommend it, but… Something was off. It’s a good start to what looks like a cool take on Dr. Strange, but I need another issue to sell me 100%.

VENGEANCE OF THE MOON KNIGHT #3: Jerome Opena’s art still knocks it out of the park… The action sequences are pitch perfectly staged, and match the “Shock & Awe” title of this arc to a T. But three issues in, and I still don’t know why we should care about Moon Knight, other than everybody telling us how amazing he is. I want to see some struggle, some heroism, some loss… Some reason I should be sold on this title, and I’m not quite getting it yet. A well put together comic, well written and drawn, but its got no heart. Yet.

X-FORCE #21: The second chapter of Necrosha continues at a far more break-neck pace than Blackest Night, so we’re quickly leaving comparisons behind. I hope. Anyway, we do get at least one “Holy S&%T!” moment in here with a returning… Character. And the whole cross-over is well conceived and executed. I’m just hoping, though, that X-Force can get more than two months off between crossovers next time; this is basically an X-Men book, guest-starring X-Force. Though with Second Coming on the horizon, I don’t see that happening. Ah well.

X-MEN FOREVER #11: Why is this so enjoyable. Why? ANSWER ME, DAMMIT!

10 books reviewed:
Amazing Spider-Man #596 (BUY IT)
Batman and Robin #1 (BUY IT)
Dark Avengers #5 (SPLIT VERDICT)
Black Panther #5 (DON’T BOTHER)
Skaar: Son of Hulk #11 (BUY IT)
Superman: World of New Krypton #4 (WAIT FOR THE TRADE)
Ultimate Spider-Spider #133 (BUY IT)
Punisher: Naked Kill #53 (DON’T BOTHER)
Outro, Mighty Avengers #25 & Conan #11

Agree? Disagree? Think we don’t know what the heck we’re talking about? Leave your comments below!

And if you think we your feedback doesn’t matter, you’re wrong — last time out everyone begged us to stop putting the intro in between every segment and we listened — thank God!

Special thanks to Midtown Comics for providing Jon’s books for review.

As usual (well, as of last week and this week, usual), we’ve got spoiler-free reviews of tomorrow’s Marvel Comics today! Be sure to check back tomorrow and leave your thoughts, and we’ll have more spoilery looks on the video shows this week.

BLACK PANTHER #4 – Boy, they sure are taking their time with this “Who is the new Black Panther?” thing, huh? I mean, don’t get me wrong, it’s competently done, but I think I enjoyed the immense amounts of fun Reginald Hudlin brought to the run before it went to its new numbering. Now it’s all mysticism and gothic intensity, and it’s losing my interest.

DARK REIGN: HAWKEYE #2 – As much as I like the idea of this series, the execution is a little lacking. Whereas last issue had a strong focus on Bullseye wanting to be known as Bullseye, not Hawkeye, this issue jettisons all that in favor of a new psychological take on the mass murdering sai-stealer. Again, it’s not bad, Andy Diggle knows what he’s doing; but I can’t help but think this would have been far better as a one-shot, ala Chris Gage’s Thunderbolts one-shots, which focused on a character, informed the main book, but worked mainly as supplemental material. I also like Tom Raney’s pencils a lot, they’re nice and clean, but he has a bright, almost bubbly flair that doesn’t quite match the realism of Dark Avengers, for example.

DARK REIGN: YOUNG AVENGERS #1 – This should be Young Masters of Evil, right? And it almost is, except for some garbage about, “We’re heroes! No we’re not! Are we? I don’t know!” I love Paul Cornell’s writing dearly, but this is a bit of a mess, mainly because it’s entirely unclear who these young heroes are aspiring to be. The idea is great: young heroes inspired by the Dark Avengers are like the Young Masters of Evil. Except… Nobody knows the Dark Avengers are evil, so it comes off as a fantastic, unexplained coincidence that there’s a baby Enchantress, and Executioner, etc. Hopefully this will clear up a bit next issue, because Cornell (and the idea) deserve better than this first one.

DEADPOOL: SUICIDE KINGS #2 – I feel like I’m coming off as quite the negative nancy this week, so apologies on one more negative review before a few positive ones, but none of this comic makes any sense. Sorry, that’s a little strong, but how hard is it to pit Deadpool against The Punisher? It’s not. You barely need an excuse. Yet this book is bending over backwards to come up with a reason for them to come to blows. Here, I’ll pitch a better comic right now: The Punisher realizes Deadpool is an amoral assassin, and decides to kill him. Done! Goodbye.

GENEXT: UNITED #1 – The first GeneXt series was a nice surprise… Given the complicated premise, that the X-Men had aged in real time in from their first appearance, and now had grandchildren running around with mutant powers, it was surprisingly successful with an old school X-Men feel. Which makes sense, given that Chris Claremont wrote and created it. This issue picks up minutes after the end of the last series, and works just as well. If you want fun, old school X-Men tales set in modern times, this book is well worth a look.

LOCKJAW AND THE PET AVENGERS #1 – It’s embarrassing how excited I was for this book, and boy did it deliver. I’m not going to say much other than you probably know from the title whether you want to read this or not. If it’s “not,” let me correct you and say that yes, you do want to read it. It’s the most fun you’ll have reading an Avengers book all month. No joke. Marvel has been killing it with its pseudo-continuity books like Dr. Doom and the Masters of Evil, the Power Pack books, and X-Men: First Class; Pet Avengers fits in there quite well, thank you. Also, if Speedball’s cat Niles ends up in some sort of S&M armor by the end of the series, I will kiss Chris Eliopoulos square on the mouth.

PUNISHER: FRANK CASTLE MAX #70 – This is the last issue of the arc, and I haven’t read an issue since Ennis’ run, but it sure does seem like a lot of elements from what good old Garth was doing on the title, without the insane intensity. Ah well.

SAVAGE SHE-HULK #2 – I know a lot of people are mad that She-Hulk (aka Jennifer Walters) was cancelled for this title, and is being replaced by a new She-Hulk (Thundra and the Hulk’s daughter). Too bad none of that is true. She-Hulk was cancelled, but not because of this title. That was a happy accident. And the Savage She-Hulk isn’t replacing Jenny… She’s all over this issue, being as awesome as ever. There’s still a lot we don’t know about this character, and it seems like all four issues are going to be the superhero equivalent of 16 Blocks, but I’m officially on board with the new Thrulk. If you’ve been avoiding the title for any of the above reasons, stop it, and pick up this issue. You’re supporting new characters in the Marvel universe if you do, and single handedly destroying comics if you’re not. That may be a little harsh, actually. And untrue. Maybe.

SECRET WARRIORS #4 – I gotta say, four issues in, and I’m still not 100% sure who all of these characters are, or what they’re about. As a team book, it seems like we may have one of those “The team after the first arc isn’t the same as where we started!” things going on, which is starting to make me think, “Maybe I’ll wait until after the first arc, then!” As a Nick Fury book, though, Hickman and Bendis are rocking it. They have a great handle on Fury, where he’s at, and what he’s about. It’s nice that he’s returned to the Marvel Universe proper in style, with his own, f-ing terrifying Rogues Gallery. That’s not even mentioning Stefano Caselli’s gorgeous art, which makes this book worth picking up on its own.

THE WONDERFUL WIZARD OF OZ #6 – What can I say that hasn’t previously been said. Every issue is like a work of art. I mean, it is a work of art. Pick it up.

ULTIMATE SPIDER-MAN #132 – Goddamn if this isn’t the most consistently great title Marvel has ever published. Bendis is writing this title so well, and so completely owning everything about it, that I can’t imagine anyone else ever writing the title. He’s even writing a great story arc in the face of the monumentally crappy Ultimatum event. And as much as I’m super giddy about David LaFeunte on Ultimate Comics Spider-Man when this relaunches in two issues, I’m going to miss Stuart Immonen’s superb art. I GUESS it’ll be okay that he’s going over to New Avengers. OH WELL. By the way, slight spoiler time, but anyone else think Bendis might (seriously, potential spoilers if I am an incredible genius) kill/get rid of Peter Parker? I could be totally off base here, but I think at least for the first arc or two, Ultimate Comics Spider-Man could probably be titled Ultimate Spider-Woman Comics. Don’t get me wrong, I’m betting Pete’ll come back from the “dead” at some point (and not that he’s dead at the end of this issue, I’m just speculating), but if I’m right, you all owe me cookies.

WAR OF KINGS: ASCENSION #2 – Why is there a comic book about Darkhawk? And why is it so fun? I feel weird.

X-FACTOR #43 – Peter David, as promised, is continuing to do a lovely job of making X-Factor as fun, exciting, and surprising as it has ever been, but there’s one moment in here that totally grossed me out. You’ll know what it is when you see it. In its own way, it’s as shocking a reveal as anything on the last pages of the previous three issues. And that’s not counting this issue’s last page reveal, which is fun and shocking in its own way. In case it isn’t clear, go pick this up.

I guess this is real(?) even if I half expect to find out it’s just one in a series of “Is [fill-in-the-chick] The New Black Panther?” ads with Elektra, Black Widow, Storm and other potential mystery Pantherettes (inevitably drawn by Greg Horn…)

I really liked Echo when she debuted in Daredevil and was glad to see her show up in New Avengers, even if her inclusion there felt a bit random. But replacing T’Challa? That makes no sense to me…

(Echo by David Mack wallpaper at PCS Papes)