I don’t know about this.

Also: Another Tyrese Gibson interview about Mayhem.

A preview of the upcoming Thulsa Doom mini, including a statement from Djimon Hounsou, who’s poised to play the character in an upcoming film.

youngallies“…In my lifetime I’ve seen race relations in this country improve radically, each generation becoming less race conscious than the one before. Of course one result of this is our hypersensitivity to racially charged images… So maybe I’m just being overly sensitive but I’ve had some problems with Marvel’s 70th Anniversary Specials, specifically on how they deal with race.”

“…I didn’t actually meet Michael Jackson, it was more like I happened to be near him a few times as he toured the offices. With so much in the media about how weird he had become physically due to countless plastic surgeries, my impression was that he seemed rather normal to me—he carried himself well, and had a slim, taut dancer’s body, and he looked, well, like Michael Jackson. Certainly not at all like the more freakish photos that I’ve seen since.

“Michael was meeting with Stan Lee and Peter Paul, and was with someone named John. Weeks later, I asked Stan what the meeting was all about. Stan revealed that they had met before, and that Michael was interested in buying Marvel Comics. Now, how many fans have wanted to do that over the years? But how many actually could?”

Also: SLJ talks Nick Fury in Iron Man 2.

Baldo is a Latino comic strip that’s been around for over a decade. Its current story arc addresses diabetes in an effort to raise awareness.

more on Transformers and race

Posted by Rich on 30 Jun, 2009 in Blogs, Glyphs, In their opinion, Television,

“Revenge Of The Fallen brought out the worst in Bay and writers Ehren Kruger, Alex Kurtzman and Roberto Orci. And the ‘twins,’ Skids and Mudflap, have only become a joke… Michael Bay was content to throw voice actors Tom Kenny and Reno Wilson under the bus for the uproar they’ve caused. And let’s not forget, this film just flat-out sucks… But here’s the scariest thing about Revenge: the robots fare better as characters than the flesh-and-blood POCs…”

Plus: SLJ is attached to a potential series based on an Image comic.

Nat Turner up for 4 Harveys

Posted by Rich on 30 Jun, 2009 in Blogs, Classic creators, Comic News, Glyphs,

…including Best Writer and Best Artist. Mark Morales is also up for Best Inker.

Full list of nominees here.

Also: Here’s a piece about a forgotten black character from the Golden Age.

Buffy TVS #26. Pencils by Jeanty.

Astro City: The Dark Age Book Three #3 (of 4)

Spawn #193

Escape From Wonderland #0. Written by Gregory.

Gold Digger #108, GD Peebo Tales Special #5, GD Tech Manual #5, GD: Tiffany & Charlotte – Second  Semester #1 (of 4). By Perry.

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Also notable:

Justice League: Cry for Justice #1 (of 7)

Captain America: Reborn #1 (of 5)

Marvel Divas #1 (of 4). I have to admit, this doesn’t look half bad.

GI Joe Movie Adaptation #1 (of 4)

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Some more Michael Jackson cartoon obits for you.

You just knew an MJ comics biography was coming.

Look at this Princess/Frog featurette.

Two from the CBR blog Comics Should Be Good: one about the character who almost became the first black Legionnaire, the other about an unusual survey DC made for its readers in the 70s.

How cool is this: two guys are opening a Star Trek/sci-fi-themed restaurant: one looks like Captain Picard, the other looks like Captain Sisko!

CORA: gay lit

Posted by Rich on 27 Jun, 2009 in Blogs, Glyphs, memes, multicultural comics,

cora7aNo, I hadn’t forgotten about this; I’d just been sidetracked. (Plus CORA has gone bi-weekly.) This is one I’ve been looking forward to doing, since there are a small number of LGBT comics creators that rank among my favorites. In a previous CORA post I talked about Ellen Forney. I’ll add that in addition to the sublime Monkey Food, she has other collections of her strip work: I Love Led Zeppelin, which covers a variety of counterculture-type subjects, and Lust, in which she illustrates personals ads. Worducopia and Color Online readers might have seen her work in the prose book The Absolutely True Diary of a Part-Time Indian by Sherman Alexie. I haven’t read that yet, but it’s supposed to be pretty good.

I don’t remember where I first read about Stuck Rubber Baby by Howard Cruse. It must have been sometime during the early period during the 90s when I was just getting back into comics. Anyway, whenever people ask me which graphic novel is my all-time favorite, this is the one I hold up. Set during the civil rights movement of the 60s in a fictitous Southern town, it’s a coming-of-age tale about a young white teen beginning to come to terms with his sexuality, in a town racked with racial strife. When the Proposition 8 decision came down in California last fall, and it was revealed that a large number of blacks voted in its favor, many opponents of the bill were shocked that these blacks couldn’t see the parallels between their struggle for equality and that of homosexuals. Baby holds blacks and gays up to the same light and does an excellent job of depicting the perspectives of both groups (though obviously the gay angle is the stronger of the two). There’s a wide and diverse variety of characters on display here, and they’re all believable and three-dimensional. Cruse has a pleasant cartoonish art style which makes use of a meticulous stippling technique which, I admit, he sometimes goes overboard on, but I’ve learned to appreciate it. Baby is filled with warmth, humor, genuine tension and rich drama. You’ll think it’s based on a true story – but it’s not!

Tim Fish does some great gay romance comics. Arguably his best known is Cavalcade of Boys. It’s very much in the spirit of old-fashioned (heterosexual) romance comics from the 50s and 60s, with a large cast of (mostly) young gay men hopping in and out of each other’s beds, drawn in a broad, exaggerated style suggestive of legendary Golden and Silver Age artist Jack Kirby in places. Among his other works include Young Bottoms in Love and Meet Me in St. Louis… Many literature aficionados have heard of Alison Bechdel by now, thanks to her graphic novel memoir Fun Home hitting it big a couple of years ago. If you liked that, I suggest also seeking out the collection of her long-running strip, Dykes to Watch Out For. Similar kind of droll humor, with a bigger cast… Abby Denson’s work leans more towards the realm of Japanese manga, with androgynous boys and hyper-emotional situations. Her breakout book Tough Love is very much in that vein. (I remember when this was a mini-comic! I should have a copy or two back home in New York.)

All these comics are great places to start for gay comics. For more, check out the website Prism Comics.

off-topic: Michael Jackson

Posted by Rich on 25 Jun, 2009 in Blogs, Glyphs, IMO, Music News, R.I.P.,

MJLet’s see… My earliest memories: one of the first records my father ever bought for me was the Jacksons’ Victory. That world tour they did, with screaming fans passing out and needing to be hospitalized, so very much like when the Beatles first came to America – not that I could appreciate the comparison at the time, me being only about 9 or 10. Of course, I begged my parents to get tickets, but tickets were impossible to get. You’d have to have a persistence that my parents did not have.

It was okay, though, because my sister Lynne had all his records. Lynne was always super-protective of her record collection – how could she not be, with a little brother around? I remember she had a boxful of 45s she kept in her wardrobe, in addition to her 12-inches, and when she wasn’t around I’d sift through them and play the ones I liked on her stereo. She was first to get Thriller when it came out, of course, and I believe I eventually bought a copy on cassette a few years later, when I started to get an allowance and began building a music collection of my own.

I remember watching the Motown 25th Anniversary Special with the family, and seeing him moonwalk made me want to do it too. In fact, I’ve always had a secret desire to want to dance like him. In my sixth grade language arts class (do they still call it that these days?), I had a remarkable teacher named Stacey Brooks; I still miss her dearly. Anyway, she loved to do unusual, outside-the-box type projects that encouraged us to not only read, but to enjoy reading and to comprehend the things we read. One such project was to write a new set of lyrics to “Beat It” and make a new song called “Read It.” This would be accompanied by a “video,” of course (although I’m fairly sure she didn’t film anything). The class was divided into three groups, so we’d get three different versions of the song. In my group this one girl tried to teach me how to moonwalk, and I tried so hard to get it right. I practiced constantly! I wanted so bad to do it because MJ was the biggest thing on earth and if you were a kid in the early 80s, you knew all his songs, you saw all his videos, and you wanted to dance like him (or at least attempt to).

Oh, did someone say videos? I remember watching the world premiere of “Thriller” on Friday Night Videos (please tell me someone else remembers this show) and just marveling at it. Videos were still such a new thing back then; kids today don’t realize how popular the idea of music videos was back then – and to think that someone could turn a three-minute video into a fifteen-minute mini-film was a radical idea. And what a video! I don’t think I had seen John Landis’ An American Werewolf in London at that point; if I had, I probably would’ve made comparisons between the two. “Thriller” is more than a little dated in places now, but it still holds up. Indeed, the imagery in most of his videos has done much to solidify his iconic status. I remember not liking the song “Smooth Criminal” (at first; I like it now) but liking the video. Anyone remember the MJ arcade game which was directly inspired by that video? I played it, but in my mind it wasn’t quite the same.

As I got older, my musical tastes changed pretty drastically. I discovered classic rock and heavy metal, and moved away from Top 40 music (including hip hop, which was just beginning to take off), but I kept my MJ records and cassettes. Why wouldn’t I? That music was part of my childhood, and always would be.

Me being a kid, I never completely understood why MJ changed his looks so drastically from Off The Wall to Thriller. I’d hear disc jockeys make fun of him for his plastic surgery, but I suppose I must’ve chalked it up at the time to weird celebrity antics. It never mattered; the music was what always mattered. Of course, later on, it grew impossible to ignore, but I could still brush it off, especially since I had new music to listen to. The peculiar reports of his lifestyle habits became, like those of many celebrities, something to laugh at, but little more.

I’m not gonna go into the stuff about whether he molested kids or not. That’s all been bashed about to death in the media. I will say that if the kids in question had their say in public, it is entirely possible we’d get a very different side of the story.

No matter what you thought of him – and there’s no doubt that he was an immensely controversial figure; I wonder if anyone really understood the “real” him – the man was a legend.

And we will never see his like again.

(Let the record show that I was in the Cup O’ Joe cafe at the Lennox Mall in Columbus, Ohio, when I heard the news.)

“…To be completely shocked by this is admittedly kind of foolish. Quite a bit was made of Jazz, the black Autobot in the first film, who did a breakdance move and got killed. But The Twins make Jazz look like a paragon of taste, and they make Jar Jar Binks look like he belongs in a production of A Raisin in the Sun. Simply put they are offensive beyond measure, and if their names were Stepin and Fetchit I could maybe argue that they were a joke or a bit of meta-commentary or anything except horrible, horrible racial stereotypes.”

I haven’t seen the film, and I really don’t wanna have to pay good money just to see these minor characters, so can anyone who has seen the movie comment on this?

Chriscross interview

Posted by Rich on 24 Jun, 2009 in Blogs, Comic Interviews, Glyphs,

Final Crisis Aftermath: Dance is the tale of the SuperYoung Team after the destruction of the Darkseid phenomena. Everyone in the DCU was affected and Joe Casey and I are dealing with how that incident pertained to Japan. So far we see a lot of shenanigans going on. Promises of fame and fortune and a lot of flimflam underneath. Really corporate with a touch of some comedy and as the issues go on, more sadistic and real. Just the way Casey likes to write his books.”

Chriscross

hip hop label expands into comics

Posted by Rich on 24 Jun, 2009 in Blogs, Comic News, Glyphs,

Princess/Frog news

Posted by Rich on 23 Jun, 2009 in Animation, Blogs, Glyphs,

Barack the Barbarian #1

5-page preview (plus cover)

Devil’s Due’s new series puts President Obama in an age undreamt of.

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Also this week:

Final Crisis Aftermath: Ink #2 (of 6)

Perhapanauts #6

Immortal Iron Fist #27, IIF: The Mortal Iron Fist TP. Pencils by Foreman.

Squadron Supreme #12

Gold Digger Swimsuit Special 2009. By Perry.

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The Obama-worship continues with this animated cartoon (which is actually really good).

Luke Cage and Iron Fist reunite – as Thunderbolts?

Samuel Delany has a new book coming out – and here he answers fan questions.

Off-topic: The computers of artist and all-around good guy Steve Lieber got robbed recently. You can help him out by reading this.

Doctor Voodoo, sorcerer supreme

Posted by Rich on 21 Jun, 2009 in Blogs, Glyphs, Upcoming comics,

drvoodoo“In no way, shape or form did Jericho see the Eye of Agamotto suddenly bestowing upon him the title of Sorcerer Supreme, which makes things more interesting, because he’s a character I don’t think anybody expected to take on the mantle. The Eye chose him for a reason, though. The reason the Eye chose him, is that there’s a terrible coming darkness in the Marvel Universe, and we’re going to be building that in this series. I’m incredibly excited about it. There’s going to be a lot of fun reveals… The Eye chose Jericho to combat this imminent darkness, this coming supernatural horror, because his birthplace was in the shadow realms.”

Doctor Voodoo

Gibson talks Mayhem

Posted by Rich on 18 Jun, 2009 in Blogs, Celebrities and comics, Glyphs,

mayhemMayhem is about a modern-day Robin Hood… Mayhem is a vigilante who steals from crime bosses to fund his campaign against crime. His arch-rival is named Big X, and he has a chokehold on the underworld of Los Angeles and his corrupt activities reach every level of society there. Mayhem is on a mission to take out Big X, but at some point in the series we’ll reveal a dark secret that links Big X and Mayhem together.”

Tyrese Gibson

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