If you’ve exhausted the possibilities at your neighborhood multiplex, but still want a respite from that special form of summer misery known as August heat, you’ll want to check out Film Forum’s month-long tribute to New York City. Titles range from silent classics to seminal blaxploitation pics, with a healthy representation of vintage noir and gritty 70s realism. The best part of the festival: the awesome, film-fanatic-friendly double features. Below are some highlights.
Pickup on South Street ; Kiss of Death (August 2nd and 3rd)
Richard Widmark, baby, the O.G. of noir! So much better than the remake with Nicholas Cage and David Caruso you’ll wonder why the producers thought an update was warranted.
Taxi Driver ; Mean Streets (August 12th and 13th)
You lookin’ at me?
The Warriors ; Superfly (August 17th and 18th)
Everybody together now: “Oh Waaaarrriors, come out to plaaaaaaaaay.” (No word on whether Film Forum will let you bring your own Coke bottle castanets, but it’s worth a shot.)
Rear Window ; Rope (August 24th and 25th)
If you’ve ever wondered what life was like in New York City B.A.C. (that’s “before air conditioning,” a.k.a. before 1960), you’ll want to watch Hitchcock’s claustrophobic masterpiece. The cast alone is worth the price of admission, with Jimmy Stewart, Grace Kelly, and Raymond Burr in the principal roles, but Rear Window also boasts great cinematography, crackling dialogue, and some very funny slice-of-life scenes that give the movie authentic Noo Yawk flava.

Other flicks worth a look-see include Klute (Jane Fonda as a boozy, Oscar-winning prostitute!), Wait Until Dark (Audrey Hepburn as a blind woman menaced by Alan Arkin!), and one of my all-time favorite good-bad movies, The Taking of Pelham One Two Three (1974). With Walter Matthau as a grumpy cop, Jerry Stiller as a smart-mouthed transit employee, and Robert “Shark Hunter” Shaw as a terrorist who hijacks the No. 6 train for one million dollars ransom, Pelham is a valentine to New York in all its deteriorating, Ford-era glory. And speaking of 70s cinema, the final film in the NYC Noir schedule is The French Connection (1971), which closes out the festival with a one week run from August 31st to September 6th. For my money, the speeding-under-the-El sequence is the best car chase ever captured on film. Sorry, Steve.
Tickets for all shows are available at the Film Forum box office (209 West Houston Street; 212-727-8110) or through their website.