My Holiday Dose: Thanks for the comics!
Posted by: Matt Bergin on November 22, 2009 at 4:47 pm
It’s that special time of year–the weather is cooling down, the shopping malls are filling up, families are coming together…and bloggers are rolling out holiday posts meant to tide over their readers for weeks at a time.
While none of my books blew me away this week, it was a solid pull with Marvel, DC, Image, and even Dark Horse represented. Considering my mainstream, mostly superhero tastes, this is about as cultured and diverse as the weekly dose gets–so give thanks! Meanwhile, I’ll give thanks for a few things, too:
Thank you, Amazing Spider-Man #612, for not sucking. After four lousy issues that had me on the fence about dropping the series from my pull, you were a really good issue, kicking-off to the “Gauntlet” storyline, which promises to reestablish several key crooks in Spider-Man’s rogues gallery. First up is Electro, who gets a genuine recharge by writer Mark Waid and artist Paul Azaceta. Also recharged–my interest in this series. (I could have done without the Black Cat backup feature, though, so no thanks for that.)

Thank you, Dark Avengers #11, for once again teasing the death of The Sentry. I know it won’t stick this time, just like it didn’t stick when Morgan LaFey zapped the golden glitch from existence earlier in the series…but giving me the thrill of watching one of my least favorite characters die over and over in various ways is almost as good as just killing him off for real.

Thank you, Flash: Rebirth #5, for re-introducing an old character name and costume in a way that continues DC’s reliable track record of consideration for female readers, present and future, as it builds out the legacies of its iconic core heroes. No thank you, however, for the convoluted way this impulsive origin came about. (The speedforce does custom tailoring now? Say wha-huh?!)

Thanks to Dr. Horrible #1 for reminding me how good Dr. Horrible’s Sing-Along Blog was…because this comic was not.
Thanks to several books I bought this week, for reminding me to not be so naiive about the many tricks of misdirection I should be more aware of as a longtime fanboy:
I originally skipped Green Lantern Corps #42, thinking it was yet another inconsequential bit of padding on the Blackest Night event; it pretty much was…except for the last two pages, where a major GL character bites it in a way that is sure to resonate in the main miniseries and GL title. Thankfully, I was able to find a copy of the issue one week later, rather than have to track down a marked-up back issue or wait for a second printing. If I had flipped to the end of the issue while scanning the shelves when it first came out, I’d have seen the book’s value and bought it then.
Of course, spoiling the end of a comic is not recommended. It can actually backfire on you in a bigger way than simply ruining story surprises. Thanks to Dark Reign: The List: The Amazing Spider-Man #1 for reminding me of this, by tricking me about the potential relevance of this comic with a two-year-old issue of The Pulse tacked onto this comic as a backup feature. That issue ends with a Daily Bugle cover story of Norman Osborn revealed as the Green Goblin and imprisoned for his assorted crimes and craziness. My quick flip in the comic shop had me thinking I was picking up a major turning point in Dark Reign. I’ll hope for the best that Peter Parker’s leaked viral video of Norman Osborn being his old crazy self–which is what happens in this comic–does have some significant payoff in the bigger Dark Reign plot.
But if it doesn’t, thanks to another Dark Reign: The List one-shot (Dark Reign: The List: The Incredible Hulk) for actually validating my skepticism about the inconsequentiality of these one-shots and reminding me I should have known better. That book annoyingly invaded the plot of a book I did pick up this week–The Incredible Hulk #604–with a dismissive one-panel explanation from a previously unseen, but suddenly important supporting character. Thank you for reminding me how spin-offs, crossovers, and “event books” always manage to overstay their welcome and overstep their boundaries.

And, finally, thank you to Invincible #68 for reminding me that just because nothing ever seems to happens in a book doesn’t mean it doesn’t have plenty going on.

Buffy Moves Me
Posted by: Matt Bergin on November 17, 2009 at 3:10 pm
Bleeding Cool Rich Johnston has some good news for Joss Whedon fans still broken up about the cancelling of Doll House–Dark Horse Comics’ Buffy the Vampire Slayer: Season 8 is getting the deluxe motion comic treatment. (Voice actors–click that link for casting call details.)
I love the idea of motion comics, especially as a means to attract new, younger, indifferent-to-print readers; though I’m still happy to read the funny pages, rather than click through links for my own comics fix. I think the Whedon-penned Astonishing X-Men motion comic by Neal Adams’ Continuity Studios has been the best conceived motion comic of the recent lot, with actual CG animation adding fluidity to the original John Cassaday illustrations, turning AXM into something not unlike the old 1960s Marvel cartoons). As an evolutionary link between printed comics and fully animated cartoons based on comic runs (see Superman/Batman: Public Enemies), the Continuity design seems like the best approach to motion comics, rather than a video file comprising pan-and-scan panels and spoken word balloons.
Of course, that doesn’t necessarily mean Dark Horse will go that route with their entry into this new medium. But with the potential for significant mainstream crossover appeal with Buffy in the title, this could be the motion comic project that determines the style and technology expected of all motion comics to follow.

My Weekly Dose: Hulk Run = Smash and Playing Catch Up
Posted by: Matt Bergin on November 15, 2009 at 10:41 am
After last week’s successful impulse buy of Punisher: The List (rocking book, with a second printing on the way–check it out), I decided to pick up a few more older new books with my weekly pull to play catch up with those sometimes-forgotten, but always on my mind corners of the comic universe. (I stuck with Marvel this week, apparently still content forgetting the corners of their distinguished competition.) So I grabbed the no-longer-recent 50th issue of X-Factor to see what Peter David, Jaime Madrox, and friends were up to since I dropped the book more than a year ago.
Turns out X-Factor Investigations relocated, not just to another town, but to another time! And this issue was the conclusion of what seems to have been an epic journey to the future that saw the Multiple Man, with an all-growsed-up Layla Miller, at his side battling an evil tricked-out uber-dupe, a senile and sinister old Doctor Doom, and a part-cyborg Cyclops who has been hacked for villainy by the bad Doctor. Helping Madrox and Layla in this future imperfect are Ruby, Cyclops’ future daughter (with Emma Frost?) and Trevor Fitzroy, whom I remember was a key villain in not-appearing-in-this-comic Bishop’s oh-so-90’s time-travelling origin story. I was hoping to see my old favorite X-Man Longshot in this issue, as he appears on the cover, but he was only name-dropped. How the heck did he get pulled into this?
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My Weekly Dose: Too Busy Making Comics To Read Them!
Posted by: Matt Bergin on November 7, 2009 at 9:10 pm
I love my weekly trip to the comic shop. I need my weekly trip to the comic shop. And normally, I devour the books in my pull over the next 24 hours–2-3 train rides and an hour on the couch will do the trick most weeks. But this has been one of those rare weeks where I still haven’t finished reading my weekly dose…and an even rarer week where I’m okay with that, because I’ve actually been busy working on my own comics for a change.
- >>My copies of Doctor Dremo’s Taphouse of Tall Tales and Short Stories: The Spoils of Crime finally arrived this week, so instead of going to the shop to buy books, I went to sell them. If you don’t feel like waiting for an order from ComixPress.com, check out Cosmic Comics in NYC for a copy of this latest DC Conspiracy anthology.
V… For Anti-Obama Vendetta?
Posted by: Matt Bergin on November 4, 2009 at 3:48 pm
Is there a right-wing conspiracy at the heart of ABC’s sci-fi reboot V? Has tea-bag America gotten to the creative minds behind the series about alien “Visitors” who use preturnatural good looks and charm, as well as promises of hope and change and, yes, universal healthcare, to seduce the world, opening the door for their nefarious plot to destroy us all?
The original V (circa 1984) had all the same storyline and plot twists as this new high-gloss, big-budget series premiere–but back then, it was very clear that Marc Singer, Faye Grant, and friends were battling a regime of space-lizards who, for all their promises of good will, were clearly classic Nazi-inspired sci-fi fascists. But a few choice buzzwords peppered throughout the update made it pretty clear what sort of evil Elizabeth Mitchell and Scott Wolf are facing:
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Build Your Own Super Power (…Or Die Trying)
Posted by: Matt Bergin on November 4, 2009 at 10:25 am
Beware the tech-savvy fanboy, but behold THE PROMETHEUS DEVICE!
(Picked up from AICN)
Costume Pix Full of HallowWIN!
Posted by: Matt Bergin on November 1, 2009 at 1:10 pm
My Halloween was filled with fairies, goblins, and Gozarian demigods–plus Rorschach teaching Johnny how to sweep the leg…





But the party came to an abrupt end when Zombie Billy Mays showed up and went on a cleaning rampage…




Share your own best and worst Halloween links and stories in the comments!
My Weekly Dose: Bucky Cap Gives the Dark Avengers a Treat
Posted by: Matt Bergin on October 31, 2009 at 11:05 am

Sinestro’s got a point. Halloween is a busy time for geeks and parents alike, so I’ll keep this week’s dose brief.
With a double dose of DC Undead (Green Lantern and Blackest Night shipped–both were solid), I didn’t expect my favorite read this week to be so far removed from the Halloween spirit–yet somehow, amidst all the ghouls and gore, my favorite comic moment would be a simple superhero beatdown. But when the Dark Avengers came a-sniffing for Bucky-Cap in New Avengers #58, the star-spangled substitute showed them why he is more than qualified to weild the sheild:
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Junk Mail From Mom
Posted by: Matt Bergin on October 30, 2009 at 9:31 am
We all dread the inbox flood of junk mail from family members–sappy proclamations of love, spiritual advice, Snopes-worthy hoaxes presented as dire warning. I know they come from a good place, but I tend to just delete them on instinct. But every now and then I get a gem…like a recent note from my mother about getting/feeling old, which was accompanied by these images. Geeky. Cute. Thanks, Mom!
~45 Answers From the Creators of “45″
Posted by: Matt Bergin on October 26, 2009 at 1:35 pm
Forty-Five (or 45) is an ambitious project–a deconstruction of the superhero genre that is part anthology, part jam comic. The graphic novel is written by Andi Ewington and illustrated by 45 separate artists, each providing a single page for the collection–based only on Ewington’s script, with no additional instruction or communication with the other contributors. Forty-Five features the artistic talents of Liam Sharp, John Higgins, Sean Phillips, Charlie Adlard, Jock, Lee Garbett, Admira Wijaya, Carlo Pagulayan, Rodin Esquejo, Matt Timson, Neil Edwards, Trevor Hairsine, Francisco Kobasic, Andie Tong, Rufus Dayglo, Dom Reardon, Sally Hurst, Andrew Wildman, Stephen Thompson, Jeff Anderson, Frazer Irving, Ben Oliver, Eduardo Francisco, Dan Brereton, Barry Spiers, Robert Atkins, Fiona Staples, Bob Wiacek, Boo Cook, Gary Erksine, Ross Dearsley, Lee Carter, Sean O’Connor, Kevin, Dave Ryan, Randy Green, Tim Vigil, Simon Coleby, Calum Alexander Watt, Steve Sampson, Kit Wallis, Anthony Castrillo, Seb Antoniou, Dan Boultwood, Dan Fraga, Kenneth Rocafort; and colors by Kat Nicholson, Jason Cardy, Teodoro Gonzalez, Alex Owens, Matthew Wilson, Frank D’Armata, Bob Pedroza, Tom Smith.
The story comprises a series of interconnected interviews documented by the fictional James Stanley, a soon-to-be father who wants to find out what lies in store for his family if his unborn child turns out to carry “the Super-S gene,” which would grant the child superpowers. Stanley encounters a range of characters from single mothers struggling to raise gifted children, to rebellious super-teenagers, to suicidal risks unable to cope in a “super” world. But this isn’t just some sappy voyage of personal discovery, as Stanley’s series of inquiries lead him down an ominous path when he stumbles upon an organization known as XoDOS.
As a comic fan and new(ish) father, I find this concept very compelling. And with my own creative work centered on jam comics (see the origins of Division 18) and anthologies (see the ongoing Doctor Dremo’s Taphouse series), I’m curious to see how Ewington and the 45 team mesh those concepts in this book.
Several of the artists, as well as writer/creator Ewington, have come together again to give their personal takes on James Stanley’s quest, by answering one (not so simple) question:
If your own child were born with the Super-S gene, what power would you want them to have (and why)?








