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February 9, 2011 -Attendees of Image Expo, taking place February 24, 25, and 26 in Oakland, California will get something else in addition to excellent programming, array of exhibiting publishers and artists, and face time with their favorite collectors — the chance to get six comics with convention-exclusive covers.


The first 5,000 attendees of Image Expo will receive a free copy of THE WALKING DEAD #94 by Robert


Kirkman, Charlie Adlard, and Cliff Rathburn with an exclusive cover picturing Michonne, katana at her side, atop an intertwined mass of zombies.


An exclusive GLORY #23 featuring a new cover by Ross Campbell and the slogan “FIGHT CENSORSHIP” will benefit the Comic Book Legal Defense Fund and will be available only at the CBLDF booth.


Other exclusive covers are THE DARKNESS #100, featuring a sketch cover by Marc Silvestri; ARTIFACTS #14 with art by Stjepan Sejic and a blank back cover for attendees’ favorite artists to sketch on, THIEF OF THIEVES #1 with art by Shawn Martinbrough, and CHEW #24 with art by Rob Guillory.


The Image Expo convention-exclusive variant covers will be available in limited quantities.














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EA Sports SSX is set for release on PS3 and 360 on February 28 and as the date gets closer and closer, more and more exciting info gets dropped on the highly anticipated snowboarding title. EA recently confirmed the soundtrack for the upcoming title and the lineup of artists is impressive.

SSX has always sported an electronic and indie rock heavy soundtrack and this outing for the revered series doesn’t disappoint with songs from acts such as Foster The People, Skrillex, Pretty Lights, DJ Shadow and The Qemists.

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The full EA SPORTS SSX soundtrack includes 46 songs from a variety of artists across many genres. EA has also detailed that gamers will have the ability to upload their own music to SSX to create custom playlists for menu and in-game music. SSX also features a dynamic music remix tool that will automatically remix licensed tracks and custom music based on the player’s actions and performance in-game.

Have you pre-ordered your copy yet?


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Battlefield 3: Aftershock has been released for iPhone and iPad by EA. Right now you can get it for the exclusive price of FREE directly from the App Store.

Acting as a “cross-promotional” release for Battlefield 3 and the feature film Act of Valor, Battlefield 3: Aftershock contains online multiplayer and three weapons, but curiously is missing the previously promised single-player campaign and enemy wave mode. As part of the promotion, watching a trailer for Act of Valor will unlock a weapon.

A little note of caution: you will need an iPhone 3GS or higher with iOS 4.0 or later installed.


If I’ve only got one night to live, and all I want to do is be with one chick? She better be a tatted up Suicide Girl who wants to do some highly illegal shit! And have pre-dawn breakfast at IHOP before we bite it!


By LeRon Dawkins on February 9, 2012 at 10:54 am

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After eight seasons Fox Network and House series creators agree that the time has come to end the show.

The fate of House was up in the air last season, as Fox and NBC Universal wrangled over a new license fee agreement in talks that went down to the wire close to the upfront last May. Following shake ups with casting and plot turns surrounding characters gone from the cast, the show managed to pull off an eighth season. House exec producers David Shore and Katie Jacobs and Hugh Laurie decided, with the network’s blessing, to bring the curtain down on their own terms.

In a statement, Shore, Jacobs and Laurie expressed that they “have always imagined House as an enigmatic creature; he should never be the last one to leave the party. How much better to disappear before the music stops, while there is still some promise and mystique in the air.”

In the statement, Shore, Jacobs and Laurie noted that the 177 episodes the show will have amassed by the end of its run “is about 175 more than anyone expected back in 2004.”

The show is currently planned to finish out its full contract for the current season. As the show wraps up, we’ll be back with a top moments of House retrospective.


And I was thinking to myself last week, why Sony would pass up an opportunity to put out a Super Bowl Spot for The Amazing Spider-Man.


By LeRon Dawkins on February 5, 2012 at 3:35 pm

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The upcoming action-thriller movie Safe House follows rogue CIA agent Tobin Frost (Denzel Washington) who comes back onto the grid after a decade on the run. When the South African safe house he’s remanded to is attacked by mercenaries, a rookie operative Matt Weston (Ryan Reynolds) escapes with him. Now, the unlikely allies must stay alive long enough to uncover who wants them dead.

Safe House is in theaters Friday, February 10th but we have some cool stuff to give up to you before then!

The Safe House SWAG BAG features a draw string Safe House bag, a Safe House T-Shirt and a Safe House Digital Cleaner for LCD surfaces. How do you get in on this GIVE-A-WAY? It’s easy.

First off, check out the recent TV Spot below for Safe House. After that, head over to the movie’s website and learn more about it. When you’re finished, make sure you’re following us on Twitter (@popcultureshock) and then tweet the following phrase exactly: “Follow @popcultureshock + check out the Safe House trailer http://bit.ly/zmJbNU to WIN #SafeHouseSwag“.

That’s all you have to do. If you’re lazy (like we are at PCS), simply copy and paste the above text and your entry is in! The winner will be announced via Twitter by 11AM EST opening day for Safe House.


Safe House also stars Robert Patrick (Walk The LineLadder 49), Vera Farmiga (Source Code) and Sebastian Roché (SupernaturalThe Adventures of Tintin) and is directed by Daniel Espinosa.


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Sam (Jared Padalecki) and Dean (Jensen Ackles) investigate a case where the victims’ hands and feet have been severed and each have been branded with a strange symbol. While Sam does some research at a local university, Dean heads to one of his favorite places to investigate – the town bar. Dean strikes up a conversation with a local named Lydia (Sara Canning), and the two go back to her place. Sam discovers the symbol on the bodies is a sign of Amazon warriors.

Original Air Date: 3 February 2012 — Directed by Jerry Wanek and Written by Eugenie Ross-Leming & Brad Buckner.

Coming back off of another break, Supernatural brings us a tale that’s sure to remind everybody that everything has consequences — the major subject being Dean getting a woman pregnant. Very sensitive issues are brought back up and there’s a bit of a supernatural mystery going on that doesn’t have anything to do with Amazons.

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With the leads on Dick Roman going nowhere, Sam and Dean follow a case where men are being murdered gruesomely and having a strange symbol carved into their chests. Sam notices Dean drinking from Bobby’s flask and after shuffling around with excuses for why he has it, Dean misdirects his brother’s accusations by talking about the absurdity of the case they’re following.

When Dean met Lydia

While examining the latest victim, the boys get a vibe that this is possibly their type of case by way of the evidence. Tthe medical examiner tells them that one victim managed to get a piece of the perp during the struggle but analysis came back negative noting nothing human in the DNA.

Dean ditches out on research by hitting the bar where he meets the very attractive Lydia. Talking it up over drinks Dean tells Lydia about his job (as an investment banker with a sufficient fortune) pouring on the charm while Lydia talks about a past of horrible dates and no need to rush settling down which immediately gets Dean’s attention. Sizing him up as a decent enough catch for a one-nighter, Lydia takes Dean home.

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A new victim pops up the next morning and while the brothers investigate the crime scene they meet Charlene Penn (Kendall Cross) the leading detective on the case. The Winchesters realize they need an expert to figure this stuff out and Dean grimly muses that their expert (Bobby) is dead. After leaving the crime scene, Dean realizes Bobby’s flask is missing possibly still over at Lydia’s.


As he phones her, Sam starts in with the jokes about how Dean actually got a number from a conquest. Dismissing it as usual, Dean catches up with Lydia who is being super elusive with him and obviously lying about the flask. After hanging up the phone with Dean the camera pulls back and we get the exact reason why Lydia was rushing Dean off the phone…

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The Expert(s)?

The boys meet up with Professor Morrison (Harry Groener), an anthropology professor who seems not too interested in their case and a little too quirky. After laying out an interesting bribe for the two FBI agents he thinks he’s dealing with, Morrison reluctantly decides to take on the work leaving Sam and Dean to ponder if he really is going to be any good to them. Arguing about why they’re using him in the first place,  it’s obvious that if Bobby was still alive, they’d be consulting him instead of anyone that appears to be certified on mythology.

Dean heads back to Lydia’s to recover Bobby’s flask. While there Dean meet’s Emma, the reason why Lydia has been so busy. Mistaking Emma for a babysitting gig, Dean finds out she’s Lydia’s little girl whom he was sure was in the picture the night before. Sam calls to check up and remind Dean that they’re meeting up with medical examiner Eddie and while Dean’s on the phone, he happens to catch crib sized Emma actually speaking and asking mommy “who the guy in the other room is” while Lydia tries to shush her and wait for Dean to leave. Dean’s Spidey-senses tingle big time and he hangs back, forcing Sam to meet up with the medical examiner on his own.

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Sam gets no new leads from viewing the body but does discover that the last two victims had visited the Cobalt Room (where Dean and Lydia met). Both cases coincidentally happened to be at the bar within two nights of being murdered and there’s a 2-year pattern in different locations around the US. Detective Penn arrives and unceremoniously advises Sam that the case needs to be wrapped up quickly.

Contacting Dean, Sam tells him about the connection to the murders with the Cobalt Room and that Dean’s apparently dodged a bullet. While they talk, Dean is busy staking out Lydia’s place and watches as two women appear and meet up with Lydia. Dean can’t believe his eyes. The two women and Lydia return with Emma (who now looks like a grade schooler) and the two ladies take away to an old warehouse building where Dean follows them to.

The brothers meet back up with Professor Morrison and learn that the symbol left behind on all the bodies was the major clue. These women really are Amazons and that the men (Dean included) were apparently victims in a birthing/coming of age ritual.

The weird and strange keep coming for the boys. The Amazons procreate and the maturity cycle from fetus to adult is within a matter of days. Emma is Dean’s daughter (making Sam an unwitting uncle). Detective Penn is also a member of the Amazonian cult and has made both of the Winchesters as hunters — though they don’t know that part.

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Scouring Bobby’s books and journals for more research, the one key piece of research they can use is blown across the table into Dean’s line of sight. The paper contains text written in Greek that neither of them can translate on their own and Dean immediately senses something is up and it wreaks of Bobby. Sam is quick to dismiss that there’s no way Bobby could be behind the revelation given that they burned his remains. Arguing that Dean is still emotionally compromised, Sam takes the paper to Professor Morrison and orders Dean to stay put because they know someone is on the way to kill him.

Keeping it in The Family

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As Sam heads to the university, Dean gets a visit from Emma (Alexia Fast) who has come of age. Father and daughter talk about options and choices with Emma saying she’s torn between her heritage and how she wants to just live her own life.

Sam and the professor go over Bobby’s note discovering that the offspring of an Amazon and the male always satisfies the birthright by killing her own father. Realizes that Dean is in a lot more trouble than either of them imagined, Sam hurries back to get to his brother but is intercepted by Detective Penn. Penn catches him by surprise, hurling him across the hallway which smashes his phone and prevents Sam from calling his brother with the warning. Before Penn can make her move on Sam, he recovers in time to shoot her in the heart.

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Emma and Dean wind up in a standoff, her with a ritual dagger and Dean with a pistol. As Dean tries to reason with his daughter, Sam makes it just in time to realize that his brother is very reluctant to kill her. As Sam zeroes in on his niece, Emma makes one last attempt at pulling Dean’s strings before Sam pulls the trigger.

Attempting to stop the Amazon operation, the boys move in on the warehouse only to discover that the tribe has moved on — nothing cluing them to where they have moved on to.

As the episode closes out, Sam and Dean talk about the situation with Emma where Sam reminds Dean that this is all too similar to the circumstances with Amy (The Girl Next Door) where Sam let the monster get away and Dean had to be the one to make the kill. Sam levels with Dean, telling his older brother that his emotions will get him killed evidenced by how Dean was ready to let Emma walk. With all of the turmoil of Castiel’s and Bobby’s death and the addition of Emma’s death, it’s now clear that Dean’s head isn’t in the game.

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The biggest takeaway from The Slice Girls is how it pulled a reversal on a similar situation that took place during The Girl Next Door. Given how unraveled Sam’s emotional state is currently, having Sam with the opportunity to give Dean a lecture on keeping his head focused is a real twist. Supernatural has always been a story driven on emotion and while we see the brothers in the middle of some really hardcore stuff, someone is always facing the possibility of being hurt.

The Slice Girls was a good episode, but it didn’t really bring anything to the table outside of more thinking points about how the Winchesters function. The typical “Winchester flair” just wasn’t there, but the lack of it wasn’t a deal-breaker. Seeing Sam and Dean separating as much as they have done this season is almost as nerve-wracking as it is exciting because one of these days someone is going to pay a terrible price for working solo.

Sam seems to be becoming the more responsible one as of late while Dean is getting more and more emotional. I’m sure this is building up to something critical for the storyline as season 7 keeps moving.

Next week, it looks like Sam has to face his biggest fear (clowns) when Supernatural returns with Plucky Pennywhistle’s Magic Menagerie.


By Kayode Kendall on February 3, 2012 at 4:28 pm

You knew it was coming!!! You knew I couldn’t stay quiet about all this Before Watchmen hub-bub!!! You thought I was gonna let all you Moore fans off the hook?!?! FUCK NO!!!!


Berkeley, CA – February 2 – Top Cow Productions, Inc. is proud to announce that the winner of the Pilot Season 2011 event is Jeremy Haun’s and Jason Hurley’s THE BEAUTY.

THE BEAUTY beat out seven other competitors to take the Pilot Season crown in the most competitive voting period in the history of Pilot Season. This year saw the adoption of elimination-style voting as titles competed over three rounds to determine the overall winner. At the deadline, nearly one million votes total had been cast by fans for the Pilot Season 2011 titles. Other Pilot Season 2011 contenders included THEORY OF EVERYTHING by Dan Casey, Nick Nantell and Thomas Nachlik, ANONYMOUS by Matt Hawkins, Alan McElroy and Michael Montenat, MISDIRECTION by Filip Sablik and Chris DiBari, THE TEST by Joshua Hale Fialkov and Rahsan Ekedal, SERAPH by Lance Briggs, Phil Hester and Jose Luis, FLESHDIGGER by Shannon Eric Denton, Brad Keene and Alex Sanchez and CITY OF REFUGE by Morgan Davis Foehl and Dennis Calero.


In the world of THE BEAUTY, a new STD spreads across the world, but this is a disease you want to catch. It makes all infected people unspeakably attractive. But after the world’s face-lift, two detectives discover some nasty, undesirable side effects. Will the world decide to stay beautiful at an unspeakable cost, or resign themselves to an ordinary-looking life?


With THE BEAUTY having been declared the official winner, the creative team will now work with Top Cow’s editorial department to plan out the full series.


“Now that we’ve won we’re going to be able to finish the story. I’m really excited to do that. It’s exciting to be co-writing and drawing something like this,” said Haun. “The process is surprisingly fast and a hell of a lot of fun. The trick of it is going to be balancing work on The Beauty with my regular art duties on The Darkness monthly book. Luckily, they’re both books that I absolutely love. It also doesn’t hurt that I just love to work. As crazy as it may seem, drawing two books is kind of my idea of fun.”


“Winning Pilot Season is easily the biggest moment of my career so far, and I couldn’t be happier. It was a hard-fought battle, but thanks to all of the fans of The Beauty, we came out on top,” exclaimed Hurley. “I can’t wait to get back to work on the book. We’ve got a lot of exciting stuff planned for the future of The Beauty, and since we’ve won Pilot Season, we’ll be able to share all of that with our fans. More than anything, I just want to send a huge thank you out to all of our family, friends, and fans for their support throughout the entire voting process. It’s thanks to them that we’re able to continue The Beauty.”


This PILOT SEASON, the fans came out in full force, crashing the first poll several times for the chance to vote for their favorite 2011 Pilot Season one-shots. Pilot Season is an annual initiative Top Cow began in 2007, inspired by a concept from the television industry: a number of “pilot issues” are submitted for consideration to be “picked up for a season,” except instead of TV executives deciding their fates, it’s the fans!


Previous winners of Pilot Season include: CYBLADE, VELOCITY, TWILIGHT GUARDIAN, GENIUS and 39 MINUTES. The CYBLADE, VELOCITY and TWILIGHT GUARDIAN series have been released and can currently be found at your local comic book shop or through Top Cow’s digital distribution partners. 39 MINUTES and GENIUS are currently in production and will be given release dates soon. All eight of the 2011 competitors are available at your local comic shop or through Top Cow’s digital distribution partners including comiXology, Graphicly, and iVerse. A trade paperback collecting all eight titles is planned for release in March 2012 and will carry a price of $19.99.


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